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Journal Articles

Perceived Motor Synchrony With the Beat is More Strongly Related to Groove Than Measured Synchrony

Tomas E. Matthews, Maria A. G. Witek, Joseph L. N. Thibodeau, Peter Vuust, Virginia B. Penhune

Music Perception (2022) 39 (5): 423–442.

DOI: https://doi.org/10.1525/mp.2022.39.5.423

Published: 01 June 2022

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Journal Articles

Do Picardy Thirds Smile? Tonal Hierarchy and Tonal Valence: Explicit and Implicit Measures

Neta B. Maimon, Dominique Lamy, Zohar Eitan

Music Perception (2022) 39 (5): 443–467.

DOI: https://doi.org/10.1525/mp.2022.39.5.443

Published: 01 June 2022

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Includes: Supplementary data

Journal Articles

Investigating the Shared Meaning of Metaphorical Sound Attributes: Bright, Warm, Round, and Rough

Victor Rosi, Olivier Houix, Nicolas Misdariis, Patrick Susini

Music Perception (2022) 39 (5): 468–483.

DOI: https://doi.org/10.1525/mp.2022.39.5.468

Published: 01 June 2022

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Journal Articles

Real-Time Modulation Perception in Western Classical Music

Brendon Mizener, W. Jay Dowling

Music Perception (2022) 39 (5): 484–502.

DOI: https://doi.org/10.1525/mp.2022.39.5.484

Published: 01 June 2022

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Journal Articles

Syncopation and Groove in Polyphonic Music: Patterns Matter

George Sioros, Guy Madison, Diogo Cocharro, Anne Danielsen, Fabien Gouyon

Music Perception (2022) 39 (5): 503–531.

DOI: https://doi.org/10.1525/mp.2022.39.5.503

Published: 01 June 2022

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Journal Articles

Song Imitation in Congenital Amusia: Performance Partially Facilitated by Melody Familiarity But Not By Lyrics

Ariadne Loutrari, Cunmei Jiang, Fang Liu

Music Perception (2022) 39 (4): 341–360.

DOI: https://doi.org/10.1525/mp.2022.39.4.341

Published: 01 April 2022

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Includes: Supplementary data

Journal Articles

Measuring Children’s Harmonic Knowledge with Implicit and Explicit Tests

Kathleen A. Corrigall, Barbara Tillmann, E. Glenn Schellenberg

Music Perception (2022) 39 (4): 361–370.

DOI: https://doi.org/10.1525/mp.2022.39.4.361

Published: 01 April 2022

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Includes: Supplementary data

Journal Articles

Can the Intended Messages of Mismatched Lexical Tone in Igbo Music Be Understood? A Test for Listeners’ Perception of the Matched Versus Mismatched Compositions

Sunday Ofuani

Music Perception (2022) 39 (4): 371–385.

DOI: https://doi.org/10.1525/mp.2022.39.4.371

Published: 01 April 2022

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Journal Articles

Swinging the Score? Swing Phrasing Cannot Be Communicated via Explicit Notation Instructions Alone

Christopher Corcoran, Jan Stupacher, Peter Vuust

Music Perception (2022) 39 (4): 386–400.

DOI: https://doi.org/10.1525/mp.2022.39.4.386

Published: 01 April 2022

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Journal Articles

The Associations Between Music Training, Musical Working Memory, and Visuospatial Working Memory: An Opportunity for Causal Modeling

Sebastian Silas, Daniel Müllensiefen, Rebecca Gelding, Klaus Frieler, Peter M. C. Harrison

Music Perception (2022) 39 (4): 401–420.

DOI: https://doi.org/10.1525/mp.2022.39.4.401

Published: 01 April 2022

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Journal Articles

The Effect of Subjective Fatigue on Auditory Processing in Musicians and Nonmusicians

Saransh Jain, Nuggehalli Puttareviyah Nataraja, Vijaya Kumar Narne

Music Perception (2022) 39 (3): 309–319.

DOI: https://doi.org/10.1525/mp.2022.39.3.309

Published: 01 February 2022

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Journal Articles

The Roles of Absolute Pitch and Timbre in Plink Perception

Rebecca N. Faubion-Trejo, James T. Mantell

Music Perception (2022) 39 (3): 289–308.

DOI: https://doi.org/10.1525/mp.2022.39.3.289

Published: 01 February 2022

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Includes: Supplementary data

Journal Articles

The Idiosyncrasy of Involuntary Musical Imagery Repetition (IMIR) Experiences: The Role of Tempo and Lyrics

Taylor A. Liptak, Diana Omigie, Georgia A. Floridou

Music Perception (2022) 39 (3): 320–338.

DOI: https://doi.org/10.1525/mp.2022.39.3.320

Published: 01 February 2022

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Includes: Supplementary data

Journal Articles

Beat Perception and Production in Musicians and Dancers

Tram Nguyen, Riya K. Sidhu, J. Celina Everling, Miranda C. Wickett, Aaron Gibbings ...

Music Perception (2022) 39 (3): 229–248.

DOI: https://doi.org/10.1525/mp.2022.39.3.229

Published: 01 February 2022

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Journal Articles

Violinists Employ More Expressive Gesture and Timing Around Global Musical Resolutions: A Motion Capture Study

Aditya Chander, Madeline Huberth, Stacey Davis, Samantha Silverstein, Takako Fujioka

Music Perception (2022) 39 (3): 268–288.

DOI: https://doi.org/10.1525/mp.2022.39.3.268

Published: 01 February 2022

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Journal Articles

Embodied Meter Revisited: Entrainment, Musical Content, and Genre in Music-Induced Movement

Petri Toiviainen, Emily Carlson

Music Perception (2022) 39 (3): 249–267.

DOI: https://doi.org/10.1525/mp.2022.39.3.249

Published: 01 February 2022

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Journal Articles

Perception of Music and Speech Prosody After Severe Traumatic Brain Injury

Laurène Léard-Schneider, Yohana Lévêque

Music Perception (2021) 39 (2): 103–117.

DOI: https://doi.org/10.1525/mp.2021.39.2.103

Published: 01 December 2021

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Journal Articles

Influence of Regular Rhythmic Versus Textural Sound Sequences on Semantic and Conceptual Processing

Laure-Hélène Canette, Philippe Lalitte, Barbara Tillmann, Emmanuel Bigand

Music Perception (2021) 39 (2): 145–159.

DOI: https://doi.org/10.1525/mp.2021.39.2.145

Published: 01 December 2021

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Includes: Multimedia, Supplementary data

Journal Articles

Perception of Musicality and Emotion in Signed Songs

Heather Harden Mangelsdorf, Jason Listman, Anabel Maler

Music Perception (2021) 39 (2): 160–180.

DOI: https://doi.org/10.1525/mp.2021.39.2.160

Published: 01 December 2021

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Journal Articles

On the Roles of Complexity and Symmetry in Cued Tapping of Well-formed Complex Rhythms: Descriptive Statistics and Time Series Analysis

Roger T. Dean, David Bulger, Andrew J. Milne

Music Perception (2021) 39 (2): 202–225.

DOI: https://doi.org/10.1525/mp.2021.39.2.202

Published: 01 December 2021

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Perceived Motor Synchrony With the Beat is More Strongly Related to Groove Than Measured Synchrony

Do Picardy Thirds Smile? Tonal Hierarchy and Tonal Valence: Explicit and Implicit Measures

Investigating the Shared Meaning of Metaphorical Sound Attributes: Bright, Warm, Round, and Rough

Real-Time Modulation Perception in Western Classical Music

Syncopation and Groove in Polyphonic Music: Patterns Matter

Song Imitation in Congenital Amusia: Performance Partially Facilitated by Melody Familiarity But Not By Lyrics

Measuring Children’s Harmonic Knowledge with Implicit and Explicit Tests

Can the Intended Messages of Mismatched Lexical Tone in Igbo Music Be Understood? A Test for Listeners’ Perception of the Matched Versus Mismatched Compositions

Swinging the Score? Swing Phrasing Cannot Be Communicated via Explicit Notation Instructions Alone

The Associations Between Music Training, Musical Working Memory, and Visuospatial Working Memory: An Opportunity for Causal Modeling

The Effect of Subjective Fatigue on Auditory Processing in Musicians and Nonmusicians

The Roles of Absolute Pitch and Timbre in Plink Perception

The Idiosyncrasy of Involuntary Musical Imagery Repetition (IMIR) Experiences: The Role of Tempo and Lyrics

Beat Perception and Production in Musicians and Dancers

Violinists Employ More Expressive Gesture and Timing Around Global Musical Resolutions: A Motion Capture Study

Embodied Meter Revisited: Entrainment, Musical Content, and Genre in Music-Induced Movement

Perception of Music and Speech Prosody After Severe Traumatic Brain Injury

Influence of Regular Rhythmic Versus Textural Sound Sequences on Semantic and Conceptual Processing

Perception of Musicality and Emotion in Signed Songs

On the Roles of Complexity and Symmetry in Cued Tapping of Well-formed Complex Rhythms: Descriptive Statistics and Time Series Analysis

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