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Journal Articles
Is Absolute Pitch Learnable? Implicit and Explicit Absolute Pitch
Available to Purchase
Journal:
Music Perception
Music Perception (2025)
Published: 12 June 2025
Includes: Multimedia, Supplementary data
Images
The pitch class circle.
Available to PurchasePublished: 12 June 2025
Figure 1. The pitch class circle. More about this image found in The pitch class circle.
Images
Spectrograms of single notes varying in pitch (columns) and timbre (rows). ...
Available to PurchasePublished: 12 June 2025
Figure 2. Spectrograms of single notes varying in pitch (columns) and timbre (rows). Note. Audio files (created with Ableton Live and spectrally analyzed with Audacity) are available in the Supplementary Materials accompanying this paper at online.ucpress.edu/mp for each note. More about this image found in Spectrograms of single notes varying in pitch (columns) and timbre (rows). ...
Images
A helix representation of the relation between pitch height and chroma. No...
Available to PurchasePublished: 12 June 2025
Figure 3. A helix representation of the relation between pitch height and chroma. Note. Pitch height is continuous, increasing with each note. In contrast, pitch class (or chroma) is cyclical, with each pitch class repeating every 12 semitones (i.e., one revolution = 1 octave). More about this image found in A helix representation of the relation between pitch height and chroma. No...
Images
Three versions of the same melody. Note. Audio files, created with MuseSc...
Available to PurchasePublished: 12 June 2025
Figure 4. Three versions of the same melody. Note. Audio files, created with MuseScore, are available in the online Supplementary Materials for each version. More about this image found in Three versions of the same melody. Note. Audio files, created with MuseSc...
Images
Test phase results of Experiment 3 of Iorio et al. (2024) with standard er...
Available to PurchasePublished: 12 June 2025
Figure 5. Test phase results of Experiment 3 of Iorio et al. (2024 ) with standard error bars. Note. The dashed line indicates chance-level guessing. More about this image found in Test phase results of Experiment 3 of Iorio et al. (2024) with standard er...
Images
Learning phase response times (left) and test phase percentage correct resu...
Available to PurchasePublished: 12 June 2025
Figure 6. Learning phase response times (left) and test phase percentage correct results (right) of Henry and Schmidt (2024 ) with standard error bars . Note. The dashed line in the figure to the right indicates chance-level guessing. More about this image found in Learning phase response times (left) and test phase percentage correct resu...
Images
Schematic representation of the modulatory influences of genetics, early mu...
Available to PurchasePublished: 12 June 2025
Figure 7. Schematic representation of the modulatory influences of genetics, early music training, and learning environment on pitch identification learning. More about this image found in Schematic representation of the modulatory influences of genetics, early mu...
Images
How modulations of asymptote and learning rate would affect AP learning fol...
Available to PurchasePublished: 12 June 2025
Figure 8. How modulations of asymptote and learning rate would affect AP learning following the power law of practice. Note. The asymptote, a , is varied in the top figure, whereas the learning rate, c , is varied in the bottom figure. The improvement possible, b , is fixed at 3 – a . Scores... More about this image found in How modulations of asymptote and learning rate would affect AP learning fol...
Journal Articles
Perception of Thematic Structure in Music Over Short and Long Timescales
Available to Purchase
Journal:
Music Perception
Music Perception (2025)
Published: 05 June 2025
Images
Interaction effects of categorical measures on mean participant ratings for...
Available to PurchasePublished: 05 June 2025
Figure 1. Interaction effects of categorical measures on mean participant ratings for (A) pitch interval and (B) interonset interval. Note: Error bars show 95% confidence intervals. More about this image found in Interaction effects of categorical measures on mean participant ratings for...
Images
Illustrative training and prediction domains for Experiment 2 measures. Re...
Available to PurchasePublished: 05 June 2025
Figure 2. Illustrative training and prediction domains for Experiment 2 measures. Recognition moment task : For a given recognition moment (shown here for the first moment but applied to all four), domains used for model training only are shown with dashed lines and model prediction only with a s... More about this image found in Illustrative training and prediction domains for Experiment 2 measures. Re...
Images
Fitted linear relationships of internal unpredictability predicting mean ...
Available to PurchasePublished: 05 June 2025
Figure 3. Fitted linear relationships of internal unpredictability predicting mean stimulus ratings using pitch interval and interonset interval representations. Note: Shaded regions show 95% confidence intervals. More about this image found in Fitted linear relationships of internal unpredictability predicting mean ...
Journal Articles
Singing Your Heart Out: Singing Pitch Accuracy Is Associated with Cardiovascular Responses of Task Engagement and Challenge/Threat During Vocal Performance
Available to Purchase
Journal:
Music Perception
Music Perception (2025)
Published: 22 May 2025
Includes: Supplementary data
Journal Articles
Japanese Version of the Experience of Groove Questionnaire (EGQ-JA): Translation and Validation
Available to Purchase
Journal:
Music Perception
Music Perception (2025)
Published: 19 May 2025
Images
Scatterplot of eight stimuli: (1) WON (Stevie Wonder - Superstition), (2) K...
Available to Purchase
in Japanese Version of the Experience of Groove Questionnaire (EGQ-JA): Translation and Validation
> Music Perception
Published: 19 May 2025
Figure 1. Scatterplot of eight stimuli: (1) WON (Stevie Wonder - Superstition), (2) KOU (Bassekou Kouyate - Bala), (3) CAS (Cash & Carry - Tchip Tchip), (4) MAL (M. Guinia/P. Sanders - Hamdouchi), (5) ANG (Angelite & Moscow Art Trio - Sunrise), (6) MAH (Gustav Mahler - Symphony No. 3 (6th ... More about this image found in Scatterplot of eight stimuli: (1) WON (Stevie Wonder - Superstition), (2) K...
Images
Results of confirmatory factor analysis of the target model. α : Cronbach’...
Available to Purchase
in Japanese Version of the Experience of Groove Questionnaire (EGQ-JA): Translation and Validation
> Music Perception
Published: 19 May 2025
Figure 2. Results of confirmatory factor analysis of the target model. α : Cronbach’s alpha, arrows from the left: factor coefficients, arrows from the right: uniquenesses, two-way arrow: Pearson correlation. More about this image found in Results of confirmatory factor analysis of the target model. α : Cronbach’...
Journal Articles
The Perception of a Musical Cadence Is Driven by Local Versus Global Mode Depending on the Tonal Structure of Its Terminal Chord
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Journal:
Music Perception
Music Perception (2025)
Published: 15 May 2025
Images
Musical examples of the Picardy Third from two contrasting periods in Weste...
Available to Purchase
in The Perception of a Musical Cadence Is Driven by Local Versus Global Mode Depending on the Tonal Structure of Its Terminal Chord
> Music Perception
Published: 15 May 2025
Figure 1. Musical examples of the Picardy Third from two contrasting periods in Western music history. A) J. S. Bach, Fugue No. 2 in c minor, BWV 847, mm. 28–31. Arrows point to final chord, a major tonic chord representing the Picardy Third. Roman numerals are provided under the dominant (V) and ... More about this image found in Musical examples of the Picardy Third from two contrasting periods in Weste...
Images
Background information on cadences and stimuli. A) Chord sequences used as ...
Available to Purchase
in The Perception of a Musical Cadence Is Driven by Local Versus Global Mode Depending on the Tonal Structure of Its Terminal Chord
> Music Perception
Published: 15 May 2025
Figure 2. Background information on cadences and stimuli. A) Chord sequences used as stimuli. Chord sequences with a major pre-cadential context are to the left and bounded in red. Chord sequences with a minor pre-cadential context are to the right and bounded in blue. The cadence types, which are... More about this image found in Background information on cadences and stimuli. A) Chord sequences used as ...
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