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Issue
February - Volume 36, Issue 3, Pages 253 - 330
April - Volume 36, Issue 4, Pages 335 - 430
June - Volume 36, Issue 5, Pages 435 - 487
September - Volume 37, Issue 1, Pages 1 - 91
December - Volume 37, Issue 2, Pages 95 - 178
Volume 37, Issue 1
September 2019
ISSN
0730-7829
EISSN
1533-8312
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Moving to Communicate, Moving to Interact
:
Patterns of Body Motion in Musical Duo Performance
Laura Bishop
,
Carlos Cancino-Chacón
,
Werner Goebl
Abstract
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titled, SCM.SharedControls.Infrastructure.TitleDisplayModel?.Text
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Motown, Disco, and Drumming
:
An Exploration of the Relationship Between Beat Salience, Melodic Structure, and Perceived Tempo
Justin London
,
Birgitta Burger
,
Marc Thompson
,
Molly Hildreth
,
Johanna Wilson
...
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titled, SCM.SharedControls.Infrastructure.TitleDisplayModel?.Text
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A Whole Brain EEG Analysis of Musicianship
Estela Ribeiro
,
Carlos Eduardo Thomaz
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titled, SCM.SharedControls.Infrastructure.TitleDisplayModel?.Text
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Vowel Content Influences Relative Pitch Perception in Vocal Melodies
Frank A. Russo
,
Dominique T. Vuvan
,
William Forde Thompson
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titled, SCM.SharedControls.Infrastructure.TitleDisplayModel?.Text
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Acoustically Expressing Affect
Aimee Battcock
,
Michael Schutz
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Is Absolute Pitch Learnable? Implicit and Explicit Absolute Pitch
Perception of Thematic Structure in Music Over Short and Long Timescales
Singing Your Heart Out
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Singing Pitch Accuracy Is Associated with Cardiovascular Responses of Task Engagement and Challenge/Threat During Vocal Performance
Japanese Version of the Experience of Groove Questionnaire (EGQ-JA): Translation and Validation
The Perception of a Musical Cadence Is Driven by Local Versus Global Mode Depending on the Tonal Structure of Its Terminal Chord
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