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Issue
February - Volume 35, Issue 3, Pages 253 - 399
April - Volume 35, Issue 4, Pages 405 - 523
June - Volume 35, Issue 5, Pages 527 - 621
September - Volume 36, Issue 1, Pages 1 - 131
December - Volume 36, Issue 2, Pages 135 - 249
Volume 35, Issue 4
April 2018
ISSN
0730-7829
EISSN
1533-8312
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How Music Moves Us
:
Entraining to Musicians’ Movements
Alexander P. Demos
,
Roger Chaffin
Abstract
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titled, How Music Moves Us<span class="subtitle-colon">: </span><span class="subtitle">Entraining to Musicians’ Movements</span>
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Time Dilation Caused by Oddball Serial Position and Pitch Deviancy
:
A Comparison of Musicians and Nonmusicians
Mohammad Ali Nazari
,
Amir Ebneabbasi
,
Hoda Jalalkamali
,
Simon Grondin
Abstract
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titled, Time Dilation Caused by Oddball Serial Position and Pitch Deviancy<span class="subtitle-colon">: </span><span class="subtitle">A Comparison of Musicians and Nonmusicians</span>
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Performers’ Motions Reflect the Intention to Express Short or Long Melodic Groupings
Madeline Huberth
,
Takako Fujioka
Abstract
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titled, Performers’ Motions Reflect the Intention to Express Short or Long Melodic Groupings
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Musical Activity and Well-being
:
A New Quantitative Measurement Instrument
Amanda E. Krause
,
Jane W. Davidson
,
Adrian C. North
Abstract
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titled, Musical Activity and Well-being<span class="subtitle-colon">: </span><span class="subtitle">A New Quantitative Measurement Instrument</span>
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A Psychocultural Theory of Musical Interval
:
Bye Bye Pythagoras
Richard Parncutt
,
Graham Hair
Abstract
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titled, A Psychocultural Theory of Musical Interval<span class="subtitle-colon">: </span><span class="subtitle">Bye Bye Pythagoras</span>
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Psychophysiological Responses to “Happy” and “Sad” Music
:
A Replication Study
Antje Bullack
,
Niklas Büdenbender
,
Ingo Roden
,
Gunter Kreutz
Abstract
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titled, Psychophysiological Responses to “Happy” and “Sad” Music<span class="subtitle-colon">: </span><span class="subtitle">A Replication Study</span>
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Average Pitch Height and Perceived Emotional Expression Within an Unconventional Tuning System
Ronald S. Friedman
,
W. Trammell Neill
,
George A. Seror, III
,
Abigail L. Kleinsmith
Abstract
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titled, Average Pitch Height and Perceived Emotional Expression Within an Unconventional Tuning System
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Instrument Timbre Combinations Influence the Relative Prominence of Perceptual Layers in Orchestral Music
Reverberation Time and Musical Emotion in Recorded Music Listening
The Effects of Local and Global Key Consistency on Musical Tension
Building the Anticipation
:
How Variation in Tension Mediates Emotions in Music
Affordances and Experiential Dimensions of Digital Concerts
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Closer the Eye, Farther the Crowd
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