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Volume 35, Issue 3
February 2018
Music Perception Cover Image for Volume 35, Issue 3
ISSN 0730-7829
EISSN 1533-8312
In this Issue
Activity Analysis and Coordination in Continuous Responses to Music
Finn Upham, Stephen McAdams
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A Perceptual Study of Scale-degree Qualia in Context
Claire Arthur
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Distortion and Western Music Chord Processing: An ERP Study of Musicians and Nonmusicians
Paula Virtala, Minna Huotilainen, Esa Lilja, Juha Ojala, Mari Tervaniemi
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Embodied Listening and Timbre: Perceptual, Acoustical, and Neural Correlates
Zachary Wallmark, Marco Iacoboni, Choi Deblieck, Roger A. Kendall
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The Relative Importance of Aural and Visual Information in the Evaluation of Western Canon Music Performance by Musicians and Nonmusicians
Noola K. Griffiths, Jonathon L. Reay
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MUSEBAQ: A Modular Tool for Music Research to Assess Musicianship, Musical Capacity, Music Preferences, and Motivations for Music Use
Tan-Chyuan Chin, Eduardo Coutinho, Klaus R. Scherer, Nikki S. Rickard
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All Issues
Is Absolute Pitch Learnable? Implicit and Explicit Absolute Pitch
Perception of Thematic Structure in Music Over Short and Long Timescales
Singing Your Heart Out: Singing Pitch Accuracy Is Associated with Cardiovascular Responses of Task Engagement and Challenge/Threat During Vocal Performance
Japanese Version of the Experience of Groove Questionnaire (EGQ-JA): Translation and Validation
The Perception of a Musical Cadence Is Driven by Local Versus Global Mode Depending on the Tonal Structure of Its Terminal Chord
  • Online ISSN 1533-8312
  • Print ISSN 0730-7829
  • Copyright © 2025 by The Regents of the University of California. All Rights Reserved.
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