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Volume 35, Issue 3

February 2018

ISSN 0730-7829

EISSN 1533-8312

In this Issue

Activity Analysis and Coordination in Continuous Responses to Music

Finn Upham, Stephen McAdams

A Perceptual Study of Scale-degree Qualia in Context

Claire Arthur

Distortion and Western Music Chord Processing: An ERP Study of Musicians and Nonmusicians

Paula Virtala, Minna Huotilainen, Esa Lilja, Juha Ojala, Mari Tervaniemi

Embodied Listening and Timbre: Perceptual, Acoustical, and Neural Correlates

Zachary Wallmark, Marco Iacoboni, Choi Deblieck, Roger A. Kendall

Supplementary data

The Relative Importance of Aural and Visual Information in the Evaluation of Western Canon Music Performance by Musicians and Nonmusicians

Noola K. Griffiths, Jonathon L. Reay

MUSEBAQ: A Modular Tool for Music Research to Assess Musicianship, Musical Capacity, Music Preferences, and Motivations for Music Use

Tan-Chyuan Chin, Eduardo Coutinho, Klaus R. Scherer, Nikki S. Rickard

Supplementary data

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Investigating the Shared Meaning of Metaphorical Sound Attributes: Bright, Warm, Round, and Rough

Perceived Motor Synchrony With the Beat is More Strongly Related to Groove Than Measured Synchrony

Real-Time Modulation Perception in Western Classical Music

Do Picardy Thirds Smile? Tonal Hierarchy and Tonal Valence: Explicit and Implicit Measures

Syncopation and Groove in Polyphonic Music: Patterns Matter

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