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Volume 35, Issue 3

February 2018

ISSN 0730-7829

EISSN 1533-8312

In this Issue

Activity Analysis and Coordination in Continuous Responses to Music

Finn Upham; Stephen McAdams

A Perceptual Study of Scale-degree Qualia in Context

Claire Arthur

Distortion and Western Music Chord Processing: An ERP Study of Musicians and Nonmusicians

Paula Virtala; Minna Huotilainen; Esa Lilja; Juha Ojala; Mari Tervaniemi

Embodied Listening and Timbre: Perceptual, Acoustical, and Neural Correlates

Zachary Wallmark; Marco Iacoboni; Choi Deblieck; Roger A. Kendall

Supplementary data

The Relative Importance of Aural and Visual Information in the Evaluation of Western Canon Music Performance by Musicians and Nonmusicians

Noola K. Griffiths; Jonathon L. Reay

MUSEBAQ: A Modular Tool for Music Research to Assess Musicianship, Musical Capacity, Music Preferences, and Motivations for Music Use

Tan-Chyuan Chin; Eduardo Coutinho; Klaus R. Scherer; Nikki S. Rickard

Supplementary data

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Comparing Methods for Analyzing Music-Evoked Autobiographical Memories

The Selectivity of Musical Advantage: Musicians Exhibit Perceptual Advantage For Some But Not All Cantonese Tones

Learning Music From Each Other: Synchronization, Turn-taking, or Imitation?

Classical Rondos and Sonatas as Stylistic Categories

Perceived Tension, Movement, and Pleasantness in Harmonic Musical Intervals and Noises

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