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Volume 33, Issue 3
February 2016
Music Perception Cover Image for Volume 33, Issue 3
ISSN 0730-7829
EISSN 1533-8312
In this Issue
Introduction to the Second Special Issue of Music Perception on BKN25: Milestones in Music Cognition
Lola L. Cuddy
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The Psychological Representation of Musical Intervals in a Twelve-Tone Context
Jenine L. Brown
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Auditory Scene Analysis and the Perception of Sound Mass in Ligeti’s Continuum
Chelsea Douglas, Jason Noble, Stephen McAdams
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Effects of Repetition on Attention in Two-Part Counterpoint
Cecilia Taher, René Rusch, Stephen McAdams
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A Neurodynamic Account of Musical Tonality
Edward W. Large, Ji Chul Kim, Nicole Kristine Flaig, Jamshed J. Bharucha, Carol Lynne Krumhansl
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Supplementary data
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Roll Over Beethoven? An Initial Investigation of Listeners’ Perception of Chords Used in Rock Music
Lincoln G. Craton, Daniel S. Juergens, Hannah R. Michalak, Christopher R. Poirier
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Playing with the Edge: Tipping Points and the Role of Tonality
Elaine Chew
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Real-Time Probing of Modulations in South Indian Classical (Carnātic) Music by Indian and Western Musicians
Rachna Raman, W. Jay Dowling
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All Issues
Modeling and Perception of Melodic Contour Families
Marching to Your Own Beat: Self-entrainment as a Missing Link Between Rhythm Perception and Synchronization
Major Theories of Emotion Causation and Their Applicability to Music: The Case for Multi-Level Approaches
A Uses and Gratifications Approach to Examining Lo-Fi Music Genre Popularity among Indian Gen Z during the COVID-19 Pandemic
Effect of Timbre on Goodness-of-Fit Ratings of Short Chord Sequences
  • Online ISSN 1533-8312
  • Print ISSN 0730-7829
  • Copyright © 2025 by The Regents of the University of California. All Rights Reserved.
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