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Issue
February - Volume 32, Issue 3, Pages 227 - 302
April - Volume 32, Issue 4, Pages 313 - 436
June - Volume 32, Issue 5, Pages 445 - 529
September - Volume 33, Issue 1, Pages 1 - 128
December - Volume 33, Issue 2, Pages 135 - 265
Volume 32, Issue 4
April 2015
ISSN 0730-7829
EISSN 1533-8312
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Music and People with Tendencies to Depression
Sandra Garrido
,
Emery Schubert
Abstract
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Experiments on the Relationship between Perde and Seyir in Turkish Makam Music
Can Akkoç
,
William A. Sethares
,
M. Kemal Karaosmanoğlu
Abstract
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The Effects of Absolute Pitch and Tone Language on Pitch Processing and Encoding in Musicians
Stefanie A. Hutka
,
Claude Alain
Abstract
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Low-Skip Bias
:
The Distribution of Skips Across the Pitch Ranges of Vocal and Instrumental Melodies is Vocally Constrained
Paolo Ammirante
,
Frank A. Russo
Abstract
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A Spectral Pitch Class Model of the Probe Tone Data and Scalic Tonality
Andrew J. Milne
,
Robin Laney
,
David B. Sharp
Abstract
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An Interlanguage Unification of Musical Timbre
:
Bridging Semantic, Perceptual, and Acoustic Dimensions
Asterios Zacharakis
,
Konstantinos Pastiadis
,
Joshua D. Reiss
Abstract
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Pitch
:
A Key Factor in Tonality Induction
J. Fernando Anta
Abstract
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A Tribute to David Wessel (1942-2014) Consulting Editor for Music Perception, 1983-2008
Stephen McAdams
,
Roger Reynolds
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Front Matter
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Table of Contents
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Investigating the Shared Meaning of Metaphorical Sound Attributes
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Bright, Warm, Round, and Rough
Perceived Motor Synchrony With the Beat is More Strongly Related to Groove Than Measured Synchrony
Real-Time Modulation Perception in Western Classical Music
Do Picardy Thirds Smile? Tonal Hierarchy and Tonal Valence
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Explicit and Implicit Measures
Syncopation and Groove in Polyphonic Music
:
Patterns Matter
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