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Volume 24, Issue 1

September 2006

ISSN 0730-7829

EISSN 1533-8312

In this Issue

COMMENTARIES ON ORIGINS OF MUSIC
REPLY TO COMMENTARIES

Time-Shrinking and Categorical Temporal Ratio Perception: Evidence for a 1:1 Temporal Category

Gert Ten Hoopen; Takayuki Sasaki; Yoshitaka Nakajima; Ger Remijn; Bob Massier ...

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Preserved Singing in Aphasia: A Case Study of the Efficacy of Melodic Intonation Therapy

Sarah J. Wilson; Kate Parsons; David C. Reutens

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Temporal Information Processing in Musicians and Nonmusicians

Thomas Rammsayer; Eckart Altenmüller

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Effect of Network Latency on Interactive Musical Performance

Christopher Bartlette; Dave Headlam; Mark Bocko; Gordana Velikic

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Learning Absolute Pitch by Children: A Cross-Sectional Study

Ken’ichi Miyazaki; Yoko Ogawa

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COMMENTARIES ON ORIGINS OF MUSIC

The Origins of Music: Some Stipulations on Theory

Ian Cross

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Toward a Sociobiology of Music

Roger T. Dean; Freya Bailes

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On the Biology and Evolution of Music

W. Tecumseh Fitch

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Multimodal Affective Interaction: A Comment on Musical Origins

Steven Robert Livingstone; William Forde Thompson

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The Uneven Interface Between Culture and Biology in Human Music

Bjorn Merker

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Musical Rhythm, Linguistic Rhythm, and Human Evolution

Aniruddh D. Patel

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Innateness, Learning, and the Difficulty of Determining Whether Music is an Evolutionary Adaptation: A Commentary on Justus & Hutsler (2005) and McDermott & Hauser (2005)

Laurel J. Trainor

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REPLY TO COMMENTARIES

Thoughts on an Empirical Approach to the Evolutionary Origins of Music

Josh McDermott; Marc D. Hauser

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Music to Your Ears: Sentence Sonority and Listener Background Modulate the “Speech-to-Song Illusion”

Instrument Timbre Enhances Perceptual Segregation in Orchestral Music

Time-Shrinking and Categorical Temporal Ratio Perception: Evidence for a 1:1 Temporal Category

Preserved Singing in Aphasia: A Case Study of the Efficacy of Melodic Intonation Therapy

Temporal Information Processing in Musicians and Nonmusicians

Effect of Network Latency on Interactive Musical Performance

Learning Absolute Pitch by Children: A Cross-Sectional Study

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Cover Pages

Inside Cover Pages

Table of Contents

COMMENTARIES ON ORIGINS OF MUSIC

The Origins of Music: Some Stipulations on Theory

Toward a Sociobiology of Music

On the Biology and Evolution of Music

Multimodal Affective Interaction: A Comment on Musical Origins

The Uneven Interface Between Culture and Biology in Human Music

Musical Rhythm, Linguistic Rhythm, and Human Evolution

Innateness, Learning, and the Difficulty of Determining Whether Music is an Evolutionary Adaptation: A Commentary on Justus & Hutsler (2005) and McDermott & Hauser (2005)

REPLY TO COMMENTARIES

Thoughts on an Empirical Approach to the Evolutionary Origins of Music

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