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Volume 24, Issue 1

September 2006

ISSN 0730-7829

EISSN 1533-8312

In this Issue

COMMENTARIES ON ORIGINS OF MUSIC
REPLY TO COMMENTARIES

Time-Shrinking and Categorical Temporal Ratio Perception: Evidence for a 1:1 Temporal Category

Gert Ten Hoopen, Takayuki Sasaki, Yoshitaka Nakajima, Ger Remijn, Bob Massier ...

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Preserved Singing in Aphasia: A Case Study of the Efficacy of Melodic Intonation Therapy

Sarah J. Wilson, Kate Parsons, David C. Reutens

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Temporal Information Processing in Musicians and Nonmusicians

Thomas Rammsayer, Eckart Altenmüller

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Effect of Network Latency on Interactive Musical Performance

Christopher Bartlette, Dave Headlam, Mark Bocko, Gordana Velikic

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Learning Absolute Pitch by Children: A Cross-Sectional Study

Ken’ichi Miyazaki, Yoko Ogawa

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COMMENTARIES ON ORIGINS OF MUSIC

The Origins of Music: Some Stipulations on Theory

Ian Cross

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Toward a Sociobiology of Music

Roger T. Dean, Freya Bailes

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On the Biology and Evolution of Music

W. Tecumseh Fitch

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Multimodal Affective Interaction: A Comment on Musical Origins

Steven Robert Livingstone, William Forde Thompson

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The Uneven Interface Between Culture and Biology in Human Music

Bjorn Merker

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Musical Rhythm, Linguistic Rhythm, and Human Evolution

Aniruddh D. Patel

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Innateness, Learning, and the Difficulty of Determining Whether Music is an Evolutionary Adaptation: A Commentary on Justus & Hutsler (2005) and McDermott & Hauser (2005)

Laurel J. Trainor

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REPLY TO COMMENTARIES

Thoughts on an Empirical Approach to the Evolutionary Origins of Music

Josh McDermott, Marc D. Hauser

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Measuring Children’s Harmonic Knowledge with Implicit and Explicit Tests

Swinging the Score? Swing Phrasing Cannot Be Communicated via Explicit Notation Instructions Alone

Can the Intended Messages of Mismatched Lexical Tone in Igbo Music Be Understood? A Test for Listeners’ Perception of the Matched Versus Mismatched Compositions

The Associations Between Music Training, Musical Working Memory, and Visuospatial Working Memory: An Opportunity for Causal Modeling

Song Imitation in Congenital Amusia: Performance Partially Facilitated by Melody Familiarity But Not By Lyrics

Time-Shrinking and Categorical Temporal Ratio Perception: Evidence for a 1:1 Temporal Category

Preserved Singing in Aphasia: A Case Study of the Efficacy of Melodic Intonation Therapy

Temporal Information Processing in Musicians and Nonmusicians

Effect of Network Latency on Interactive Musical Performance

Learning Absolute Pitch by Children: A Cross-Sectional Study

Information for Authors

Cover Pages

Inside Cover Pages

Table of Contents

COMMENTARIES ON ORIGINS OF MUSIC

The Origins of Music: Some Stipulations on Theory

Toward a Sociobiology of Music

On the Biology and Evolution of Music

Multimodal Affective Interaction: A Comment on Musical Origins

The Uneven Interface Between Culture and Biology in Human Music

Musical Rhythm, Linguistic Rhythm, and Human Evolution

Innateness, Learning, and the Difficulty of Determining Whether Music is an Evolutionary Adaptation: A Commentary on Justus & Hutsler (2005) and McDermott & Hauser (2005)

REPLY TO COMMENTARIES

Thoughts on an Empirical Approach to the Evolutionary Origins of Music

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