Skip to Main Content
Umbrella Alt Text
header search
Search
Skip Nav Destination

Issues

Volume 19, Issue 3
March 2002
Issue Cover
ISSN 0730-7829
EISSN 1533-8312
In this Issue

Introduction

Introduction
Geoffrey L. Collier, James Lincoln Collier
View Articletitled, Introduction
Open the PDF for in another window

RESEARCH ARTICLE

Black Atlantic Rhythm: Its Computational and Transcultural Foundations
Jeff Pressing
View Articletitled, Black Atlantic Rhythm: Its Computational and Transcultural Foundations
Open the PDF for in another window
Do[n't] Change a Hair for Me: The Art of Jazz Rubato
Richard Ashley
View Articletitled, Do[n't] Change a Hair for Me: The Art of Jazz Rubato
Open the PDF for in another window
Swing Ratios and Ensemble Timing in Jazz Performance: Evidence for a Common Rhythmic Pattern
Anders Friberg, Andreas Sundström
View Articletitled, Swing Ratios and Ensemble Timing in Jazz Performance: Evidence for a Common Rhythmic Pattern
Open the PDF for in another window
Musical Forces, Melodic Expectation, and Jazz Melody
Steve Larson
View Articletitled, Musical Forces, Melodic Expectation, and Jazz Melody
Open the PDF for in another window
Embodied Mind, Situated Cognition, and Expressive Microtiming in African-American Music
Vijay Iyer
View Articletitled, Embodied Mind, Situated Cognition, and Expressive Microtiming in African-American Music
Open the PDF for in another window
How Jazz Musicians Improvise
P. N. Johnson-Laird
View Articletitled, How Jazz Musicians Improvise
Open the PDF for in another window
Toward Objective Measurement and Evaluation of Jazz Piano Performance Via MIDI-Based Groove Quantize Templates
Walter Gerard Busse
View Articletitled, Toward Objective Measurement and Evaluation of Jazz Piano Performance Via MIDI-Based Groove Quantize Templates
Open the PDF for in another window
A Study of Timing in Two Louis Armstrong Solos
Geoffrey L. Collier, James Lincoln Collier
View Articletitled, A Study of Timing in Two Louis Armstrong Solos
Open the PDF for in another window
All Issues
Music-Evoked Thoughts: Genre and Emotional Expression of Music Impact Concurrent Imaginings
Trade-offs in Coordination Strategies for Duet Jazz Performances Subject to Network Delay and Jitter
Equal Temperament and Interval Sizes of Ascending and Descending Intervals: A Descriptive and Inferential Analysis of Fifty-three Violin Students’ Intonation
Musician Advantage for Segregation of Competing Speech in Native Tonal Language Speakers
Formalized Harmony: Fundamental Chords in Extended Just Intonation
  • Online ISSN 1533-8312
  • Print ISSN 0730-7829
  • Copyright © 2024
Stay Informed
Sign up for eNews
Disciplines

Courses

Products

Resources

Support Us

About UC Press

Contact Us

Close Modal
This Feature Is Available To Subscribers Only

or Create an Account

Close Modal
Close Modal
This site uses cookies. By continuing to use our website, you are agreeing to our privacy policy.
Accept