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Volume 14, Issue 3
April 1997
Music Perception Cover Image for Volume 14, Issue 3
ISSN 0730-7829
EISSN 1533-8312
In this Issue
The Place of Musical Novices in Music Science
J. David Smith
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Perceptual Judgments of Triads and Dyads: Assessment of a Psychoacoustic Model
William Forde Thompson, Richard Parncutt
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Interactions of Perceived Intensity, Duration, and Pitch in Pure Tone Sequences
Hasan Gürkan Tekman
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Simplifying the Implication-Realization Model of Melodic Expectancy
E. Glenn Schellenberg
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Front Matter
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Back Matter
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Book Reviews

Review: Music and Schema Theory: Cognitive Foundations of Systematic Musicology, by Marc Leman
Edward W. Large
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Review: The Practice of Performance: Studies in Musical Interpretation, by John Rink
Bengt Edlund
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Review: Selected Theories of Music Perception, by Harold E. Fiske
Gregory Karl
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All Issues
Perceived and Induced Affective Responses to Musical Sounds: The Influence of Instrument Family, Pitch Register, and Individual Differences
Slower Response Time When Brake Lights Align with Musical Beats: The Role of Rhythmic Temporal Expectations
Is Absolute Pitch Learnable? Implicit and Explicit Absolute Pitch
Perception of Thematic Structure in Music Over Short and Long Timescales
Singing Your Heart Out: Singing Pitch Accuracy Is Associated with Cardiovascular Responses of Task Engagement and Challenge/Threat During Vocal Performance
  • Online ISSN 1533-8312
  • Print ISSN 0730-7829
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