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Issue
April - Volume 14, Issue 3, Pages 227 - 338
July - Volume 14, Issue 4, Pages 341 - 485
October - Volume 15, Issue 1, Pages 1 - 118
December - Volume 15, Issue 2, Pages 121 - 227
Volume 14, Issue 3
April 1997
ISSN
0730-7829
EISSN
1533-8312
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In this Issue
Book Reviews
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The Place of Musical Novices in Music Science
J. David Smith
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Perceptual Judgments of Triads and Dyads: Assessment of a Psychoacoustic Model
William Forde Thompson
,
Richard Parncutt
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Interactions of Perceived Intensity, Duration, and Pitch in Pure Tone Sequences
Hasan Gürkan Tekman
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Simplifying the Implication-Realization Model of Melodic Expectancy
E. Glenn Schellenberg
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Front Matter
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Back Matter
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Book Reviews
Review:
Music and Schema Theory: Cognitive Foundations of Systematic Musicology
, by Marc Leman
Edward W. Large
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Review:
The Practice of Performance: Studies in Musical Interpretation
, by John Rink
Bengt Edlund
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Review:
Selected Theories of Music Perception
, by Harold E. Fiske
Gregory Karl
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Perceived and Induced Affective Responses to Musical Sounds
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The Influence of Instrument Family, Pitch Register, and Individual Differences
Slower Response Time When Brake Lights Align with Musical Beats
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Is Absolute Pitch Learnable? Implicit and Explicit Absolute Pitch
Perception of Thematic Structure in Music Over Short and Long Timescales
Singing Your Heart Out
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Singing Pitch Accuracy Is Associated with Cardiovascular Responses of Task Engagement and Challenge/Threat During Vocal Performance
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