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Volume 12, Issue 3
April 1995
Music Perception Cover Image for Volume 12, Issue 3
ISSN 0730-7829
EISSN 1533-8312
In this Issue
Editorial
Jamshed J. Bharucha
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Diana Deutsch, Founding Editor (1983–1995)
Katie Spiller
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The Development of Affective Responses to Modality and Melodic Contour
Gina M. Gerardi, Louann Gerken
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The Effect of Musical Experience on the Conception of Accurate Tuning
Franz Loosen
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Drawing Inferences from Symphonic Programs: Musical Attributes versus Listener Attributions
Dean Keith Simonton
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Retracing One's Steps: An Overview of Pitch Circularity and Shepard Tones in European Music, 1550–1990
Ira Braus
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Working Memory in Music: A Theoretical Model
William L. Berz
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Front Matter
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Back Matter
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Book Reviews

Review: Music, Mind and Machine: Studies in Computer Music, Music Cognition and Artificial Intelligence, by Peter Desain and Henkjan Honing
Roger B. Dannenberg
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Review: Thinking in Sound: The Cognitive Psychology of Human Audition, by Stephen McAdams and Emmanuel Bigand
Stephen Handel
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Review: Musical Perceptions, by Rita Aiello
Andrea R. Halpern
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All Issues
The Effect of Background Music on Memory Formation of Spoken Words: A Tradeoff Between Tension Perception and Memory
Just Can’t Get You Out of My Head: Associations Between Involuntary Musical Imagery, Singing Accuracy, and Music Perception
Modeling and Perception of Melodic Contour Families
Marching to Your Own Beat: Self-entrainment as a Missing Link Between Rhythm Perception and Synchronization
Major Theories of Emotion Causation and Their Applicability to Music: The Case for Multi-Level Approaches
  • Online ISSN 1533-8312
  • Print ISSN 0730-7829
  • Copyright © 2025 by The Regents of the University of California. All Rights Reserved.
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