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Issue
April - Volume 12, Issue 3, Pages 271 - 378
July - Volume 12, Issue 4, Pages 379 - 509
October - Volume 13, Issue 1, Pages 0 - 123
December - Volume 13, Issue 2, Pages 127 - 260
Volume 12, Issue 3
April 1995
ISSN 0730-7829
EISSN 1533-8312
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In this Issue
Book Reviews
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Editorial
Jamshed J. Bharucha
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Diana Deutsch, Founding Editor (1983–1995)
Katie Spiller
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The Development of Affective Responses to Modality and Melodic Contour
Gina M. Gerardi
,
Louann Gerken
Abstract
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The Effect of Musical Experience on the Conception of Accurate Tuning
Franz Loosen
Abstract
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Drawing Inferences from Symphonic Programs: Musical Attributes versus Listener Attributions
Dean Keith Simonton
Abstract
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Retracing One's Steps: An Overview of Pitch Circularity and Shepard Tones in European Music, 1550–1990
Ira Braus
Abstract
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Working Memory in Music: A Theoretical Model
William L. Berz
Abstract
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Front Matter
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Back Matter
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Book Reviews
Review:
Music, Mind and Machine: Studies in Computer Music, Music Cognition and Artificial Intelligence
, by Peter Desain and Henkjan Honing
Roger B. Dannenberg
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Review:
Thinking in Sound: The Cognitive Psychology of Human Audition
, by Stephen McAdams and Emmanuel Bigand
Stephen Handel
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Review:
Musical Perceptions
, by Rita Aiello
Andrea R. Halpern
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Investigating the Shared Meaning of Metaphorical Sound Attributes
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Bright, Warm, Round, and Rough
Perceived Motor Synchrony With the Beat is More Strongly Related to Groove Than Measured Synchrony
Real-Time Modulation Perception in Western Classical Music
Do Picardy Thirds Smile? Tonal Hierarchy and Tonal Valence
:
Explicit and Implicit Measures
Syncopation and Groove in Polyphonic Music
:
Patterns Matter
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