Previous studies investigating common melodic contour shapes have relied on methodologies that require prior assumptions regarding the expected contour patterns. Here, a new approach for examining contour using dimensionality reduction and unsupervised machine-learning clustering methods is presented. This new methodology was tested across four sets of data: two sets of European folk songs; a mixed-style, curated dataset of Western music; and a set of Chinese folk songs. In general, the results suggest the presence of four broad common contour shapes across datasets: convex, concave, descending, and ascending. In addition, the analysis revealed some micro-contour tendencies, such as pitch stability at the beginning of phrases and descending pitch at phrase endings. These results are in line with previous studies of melodic contour and provide new insights regarding the prevalent contour characteristics in Western music.
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Research Article|
December 19 2024
Exploring Melodic Contour: A Clustering Approach
Roni Granot,
Roni Granot
The Hebrew University of Jerusalem, Jerusalem, Israel
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Morwaread M. Farbood
Morwaread M. Farbood
New York University
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Music Perception 1–17.
Article history
Received:
April 16 2023
Accepted:
June 07 2024
Citation
Michal N. Goldstein, Roni Granot, Pablo Ripollés, Morwaread M. Farbood; Exploring Melodic Contour: A Clustering Approach. Music Perception 2024; doi: https://doi.org/10.1525/mp.2024.aa003
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