Musicians have superior performances compared to nonmusicians in many auditory perception tasks. This superiority extends to memory tasks such as the digit span. Literature suggests that the musicians’ advantage unfolds along two axes: sensory modality (musicians perform better when the task is auditory) and task complexity (musicians tend to perform better in the forward and not — for example — backward digit span). In addition, it is unclear whether there are specific music abilities linked with improved performance in the digit span. Here, musicians and nonmusicians performed a digit span task that was presented aurally, visually, or audiovisually. The task was performed with or without a concurrent task (i.e., articulatory suppression) in order to explore the role of rehearsal strategies and also manipulate task complexity. Finally, music abilities of all participants were assessed using the Profile of Music Perception Skills (PROMS) test. Musicians had larger spans than nonmusicians regardless of the sensory modality and the concurrent task. In addition, the auditory and audiovisual spans (but not visual) were correlated with one subscale of the PROMS test. Findings suggest a general advantage of musicians over nonmusicians in verbal working memory tasks, with a possible role of sensory modality and task complexity.
Skip Nav Destination
Article navigation
December 2016
Research Article|
December 01 2016
The Working Memory of Musicians and Nonmusicians
Massimo Grassi
University of Padova, Padova, Italy
Massimo Grassi. Department of General Psychology, University of Padova, via Venezia 8, 35131, Padova, Italy. E-mail: [email protected]
Search for other works by this author on:
Massimo Grassi. Department of General Psychology, University of Padova, via Venezia 8, 35131, Padova, Italy. E-mail: [email protected]
Music Perception (2016) 34 (2): 183–191.
Article history
Received:
July 25 2015
Accepted:
March 08 2016
Citation
Francesca Talamini, Barbara Carretti, Massimo Grassi; The Working Memory of Musicians and Nonmusicians. Music Perception 1 December 2016; 34 (2): 183–191. doi: https://doi.org/10.1525/mp.2016.34.2.183
Download citation file:
Sign in
Don't already have an account? Register
Client Account
You could not be signed in. Please check your email address / username and password and try again.
Could not validate captcha. Please try again.