The present study investigated the role of motor and audiovisual learning in the memorization of four tonally ambiguous melodies for piano. A total of one hundred and twenty participants divided into three groups — pianists, other musicians (i.e., not pianists), and nonmusicians — learned the melodies through either playing them on a keyboard (playing condition), through performing the melodies on a piano without auditory feedback (silent playing condition), through watching a video with a performer playing the melodies (seeing condition), or through listening to them (control condition). Participants were exposed to each melody four times during the learning phase (in additional to hearing it once during a familiarization phase). This exposure consisted of an alternation between hearing the melody and engaging with the melody in the way determined by the learning condition. Participants in the control group only received the auditory aspect of the learning phase and listened to each melody twice. Memory of the melodies was tested after a 10-minute break. Our results indicate a benefit of motor learning for all groups of participants, suggesting that active sensorimotor experience plays a key role in musical skill acquisition.
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September 2016
Research Article|
September 01 2016
Motor and Audiovisual Learning Consolidate Auditory Memory of Tonally Ambiguous Melodies Available to Purchase
Andrea Schiavio,
University of Sheffield, Sheffield, United Kingdom
Andrea Schiavio, Department of Music, The University of Sheffield, 34 Leavygreave Road, Sheffield S7 2RD, United Kingdom. E-mail: [email protected]
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Renee Timmers
Renee Timmers
University of Sheffield, Sheffield, United Kingdom
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Andrea Schiavio, Department of Music, The University of Sheffield, 34 Leavygreave Road, Sheffield S7 2RD, United Kingdom. E-mail: [email protected]
Music Perception (2016) 34 (1): 21–32.
Article history
Received:
November 03 2014
Accepted:
September 18 2015
Citation
Andrea Schiavio, Renee Timmers; Motor and Audiovisual Learning Consolidate Auditory Memory of Tonally Ambiguous Melodies. Music Perception 1 September 2016; 34 (1): 21–32. doi: https://doi.org/10.1525/mp.2016.34.1.21
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