Two experiments investigated the role of pitch-related information in tonality induction. In both experiments, participants were asked to: 1) identify (sing) the tonic of either an original sequence of tones or a distorted version in which pitch class distribution was preserved but pitch class ordering, pitch contour, and/or pitch proximity were altered; and 2) rate how confident they were in the tonic they identified. In Experiment 2, the sequences were presented with an isochronous rhythm, in order to eliminate the potential confounding effects of time-related information. The results of both experiments showed that participants’ ability to identify the tonic of the sequences, as well as their confidence in the tonic they identified, decreased when pitch class ordering was distorted, and also when pitch proximity was reduced. This suggests that tonality induction not only involves the identification of abstract pitch class structures, but it also acts as a pattern-matching process.
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April 2015
Research Article|
April 01 2015
Pitch: A Key Factor in Tonality Induction
J. Fernando Anta
National University of La Plata, La Plata, Argentina
J. Fernando Anta, Department of Music, Faculty of Fine Arts, National University of La Plata, Diagonal 78 no 680, La Plata (1900), Argentina. E-mail: [email protected]
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J. Fernando Anta, Department of Music, Faculty of Fine Arts, National University of La Plata, Diagonal 78 no 680, La Plata (1900), Argentina. E-mail: [email protected]
Music Perception (2015) 32 (4): 413–433.
Article history
Received:
February 18 2014
Accepted:
July 11 2014
Citation
J. Fernando Anta; Pitch: A Key Factor in Tonality Induction. Music Perception 1 April 2015; 32 (4): 413–433. doi: https://doi.org/10.1525/mp.2015.32.4.413
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