The present study aims to systematically describe mental practice (MP) in music memorization, with regard to individual differences in the use of different MP strategies and their performance outcomes. Sixteen pianists were studied while they memorized piano pieces. Each subject memorized two pieces, either via MP or physical practice (PP). In order to keep the setting as ecologically valid as possible within the experimental setup, we allowed subjects to freely apply their preferred MP strategies with the exception of physically playing a real piano. Practice and performances were video documented and expert rated; practice strategies were reported in researcher-developed questionnaires. The use of MP alone led to successful music learning. MP combined with PP produced results that were indistinguishable from those following PP alone. Pitch imagery and structural analysis were associated with better post-MP performance. Results are discussed in the frame of expert memory theory (Chase & Simon, 1973; Chaffin, Logan, & Begosh, 2009) and practical implications for musicians are provided.
Skip Nav Destination
Article navigation
February 2013
Research Article|
February 01 2013
Mental Practice in Music Memorization: An Ecological-Empirical Study
Nicolò Francesco Bernardi,
1University for Music, Theatre and Media, Hannover, Germany
2Milano-Bicocca University, Milano, Italy
Correspondence concerning this article should be addressed to Nicolò Francesco Bernardi, Department of Psychology, University of Milano-Bicocca, Building U6 - Room 3170c, Piazza dell’Ateneo Nuovo 1, 20126 Milano, Italy. E-mail: [email protected]
Search for other works by this author on:
Alexander Schories,
Alexander Schories
1University for Music, Theatre and Media, Hannover, Germany
Search for other works by this author on:
Hans-Christian Jabusch,
Hans-Christian Jabusch
1University for Music, Theatre and Media, Hannover, Germany
3University of Music Carl Maria von Weber, Dresden, Germany
Search for other works by this author on:
Barbara Colombo,
Barbara Colombo
4Catholic University of Sacred Heart, Brescia, Italy
Search for other works by this author on:
Eckart Altenmüller
Eckart Altenmüller
1University for Music, Theatre and Media, Hannover, Germany
Search for other works by this author on:
Correspondence concerning this article should be addressed to Nicolò Francesco Bernardi, Department of Psychology, University of Milano-Bicocca, Building U6 - Room 3170c, Piazza dell’Ateneo Nuovo 1, 20126 Milano, Italy. E-mail: [email protected]
Music Perception (2013) 30 (3): 275–290.
Article history
Received:
July 24 2011
Accepted:
May 25 2012
Citation
Nicolò Francesco Bernardi, Alexander Schories, Hans-Christian Jabusch, Barbara Colombo, Eckart Altenmüller; Mental Practice in Music Memorization: An Ecological-Empirical Study. Music Perception 1 February 2013; 30 (3): 275–290. doi: https://doi.org/10.1525/mp.2012.30.3.275
Download citation file:
Sign in
Don't already have an account? Register
Client Account
You could not be signed in. Please check your email address / username and password and try again.
Could not validate captcha. Please try again.