the effect of restructuring the form of three unfamiliar pop/rock songs was investigated in two experiments. In the first experiment, listeners' judgements of the likely location of sections of novel popular songs were explored by requiring participants to place the eight sections (Intro – Verse 1 – Chorus 1 – Verse 2 – Chorus 2 – Bridge (solo) – Chorus 3 – Extro) of the songs into the locations they thought them most likely to occur within the song. Results revealed that participants were able to place the sections in approximately the right location with some accuracy, though they were unable to differentiate between choruses. In Experiment 2, three versions of each of the songs were presented in three different structures: intact (original form), medium restructured (the sections in a moderately changed order), and highly restructured (more severe restructuring). The results show that listeners' judgments of predictability and liking were largely uninfluenced by the restructuring of the songs, in line with findings for classical music. Moment-by-moment liking judgements of the songs demonstrated a change in liking judgements with repeated exposure, though the trend was downwards with repeated exposure rather than upwards. Detailed analysis of moment-by-moment judgements at the ends and beginnings of sections showed that listeners were able to respond quickly to intact songs, but not to restructured songs. The results suggest that concatenism prevails in listening to popular song at the expense of paying attention to larger structural features.
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February 2012
Research Article|
February 01 2012
The Role of Formal Structure in Liking for Popular Music
Jonathan J. Rolison,
University of Plymouth, Plymouth, United Kingdom
Jonathan J Rolison, School of Psychology, University of Plymouth, Plymouth PL4 8AA, UK. e-mail: jonathan.rolison@plymouth.ac.uk
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Judy Edworthy
Judy Edworthy
University of Plymouth, Plymouth, United Kingdom
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Jonathan J Rolison, School of Psychology, University of Plymouth, Plymouth PL4 8AA, UK. e-mail: jonathan.rolison@plymouth.ac.uk
Music Perception (2012) 29 (3): 269–284.
Article history
Received:
May 26 2010
Accepted:
June 02 2011
Citation
Jonathan J. Rolison, Judy Edworthy; The Role of Formal Structure in Liking for Popular Music. Music Perception 1 February 2012; 29 (3): 269–284. doi: https://doi.org/10.1525/mp.2012.29.3.269
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