The preceding papers about the first movement of Mozart's Piano Sonata in B Major (K. 282) raise a number of interesting questions. These are considered in a series of relatively independent sections on hierarchic structures; experience and explanation; implication; methodology; performance, scores, and traditions; primary versus secondary parameters; classification; and form, process, and style.
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Leonard B. Meyer; Commentary. Music Perception 1 April 1996; 13 (3): 455–487. doi: https://doi.org/10.2307/40286179
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