In an analysis of the melodies used in the experiments reported by Takeuchi and Hulse (1992), it is shown that in different experiments a different number of melodies occur that are conceivable as tonal transpositions. Based on this analysis, an alternative explanation of the reported results is proposed in which both tonal transposition and key-distance play a role.
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Research Article| October 01 1994
Factors in the Recognition of Transposed Melodies: A Comment on Takeuchi & Hulse
Music Perception (1994) 12 (1): 137–142.
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René Van Egmond, Dirk-Jan Povel; Factors in the Recognition of Transposed Melodies: A Comment on Takeuchi & Hulse. Music Perception 1 October 1994; 12 (1): 137–142. doi: https://doi.org/10.2307/40285759
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