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Journal Articles
Latin American and Latinx Visual Culture (2022) 4 (4): 1–2.
Published: 01 October 2022
Journal Articles
Latin American and Latinx Visual Culture (2022) 4 (4): 3–8.
Published: 01 October 2022
Journal Articles
Latin American and Latinx Visual Culture (2022) 4 (4): 9–25.
Published: 01 October 2022
Journal Articles
Latin American and Latinx Visual Culture (2022) 4 (4): 26–39.
Published: 01 October 2022
Journal Articles
Latin American and Latinx Visual Culture (2022) 4 (4): 40–56.
Published: 01 October 2022
Journal Articles
Latin American and Latinx Visual Culture (2022) 4 (4): 57–73.
Published: 01 October 2022
Journal Articles
Latin American and Latinx Visual Culture (2022) 4 (4): 74–80.
Published: 01 October 2022
Journal Articles
Latin American and Latinx Visual Culture (2022) 4 (4): 81–87.
Published: 01 October 2022
Journal Articles
Latin American and Latinx Visual Culture (2022) 4 (4): 88–97.
Published: 01 October 2022
Journal Articles
Latin American and Latinx Visual Culture (2022) 4 (4): 98–108.
Published: 01 October 2022
Journal Articles
Latin American and Latinx Visual Culture (2022) 4 (4): 109–118.
Published: 01 October 2022
Journal Articles
Latin American and Latinx Visual Culture (2022) 4 (4): 119–128.
Published: 01 October 2022
Journal Articles
Latin American and Latinx Visual Culture (2022) 4 (4): 129–130.
Published: 01 October 2022
Journal Articles
Latin American and Latinx Visual Culture (2022) 4 (4): 131–134.
Published: 01 October 2022
Journal Articles
Latin American and Latinx Visual Culture (2022) 4 (4): 135–137.
Published: 01 October 2022
Journal Articles
Latin American and Latinx Visual Culture (2022) 4 (4): 138–139.
Published: 01 October 2022
Images
in Introduction to the Dialogues on Repairing the Fabric of Society through Needlework
> Latin American and Latinx Visual Culture
Published: 01 October 2022
Figure 1. Grupo de Artesanías Chobá, Choibá Atrateño , 2003 (photograph provided by Isabel González Arango, curator of the Archivo Digital de Textiles Testimoniales, photographer Laura Junco, 2019) More
Images
in Reimagining the Borderland: Symbolic Resistance in Margarita Cabrera’s Soft Sculptures
> Latin American and Latinx Visual Culture
Published: 01 October 2022
Figure 1. Margarita Cabrera, Space in Between , 2019, installation view. Dallas Contemporary, Dallas, Texas (artworks © 2020 Margarita Cabrera / Licensed by VAGA at Artists Rights Society [ARS], NY) More
Images
in Reimagining the Borderland: Symbolic Resistance in Margarita Cabrera’s Soft Sculptures
> Latin American and Latinx Visual Culture
Published: 01 October 2022
Figure 2. Margarita Cabrera, Space in Between: Saguaro in Collaboration with Liliana Santoyo , 2016, fabric, copper wire, PVC pipe, foam, thread, and terra-cotta, 60 x 52 x 18 in. (152.4 x 132.1 x 45.7 cm) (artworks © 2020 Margarita Cabrera / Licensed by VAGA at Artists Rights Society [ARS], NY) More
Images
in Reimagining the Borderland: Symbolic Resistance in Margarita Cabrera’s Soft Sculptures
> Latin American and Latinx Visual Culture
Published: 01 October 2022
Figure 3. Francisco Goitia, El viejo en el muladar (Old Man at the Midden), 1926, oil on canvas, 20 11 16 ; x 22⅝ in. (52.5 x 57.5 cm). Colección MUNAL/INBA, Mexico More
University of California Press