FIGURA 1. Tapa de la primera edición. Buenos Aires 1936: Cuarto centenario de su fundación. Visión fotográfica . Municipalidad de Buenos Aires, 1936. Biblioteca de la Sociedad Central de Arquitectos, Buenos Aires. Cortesía de la autora. FIGURA 1. Tapa de la primera edición. Buenos Aires 1936: Cuarto centenario de su fundación. Visión fotográfica. Municipalidad de Buenos Aires, 1936. Biblioteca de la Sociedad Central de Arquitectos, Buenos Aires. Cortesía de la autora. FIGURA 1. Tapa de la primera edición. Buenos Aires 1936: Cuarto centenario de su fundación. Visión fotográfica . Municipalidad de Buenos Aires, 1936. Biblioteca de la Sociedad Central de Arquitectos, Buenos Aires. Cortesía de la autora. FIGURA 1. Tapa de la primera edición. Buenos Aires 1936: C... More

FIGURA 2. Doble página 12–13. Buenos Aires 1936: Cuarto centenario de su fundación. Visión fotográfica . Municipalidad de Buenos Aires, 1936. Biblioteca de la Sociedad Central de Arquitectos, Buenos Aires. Cortesía de la autora. FIGURA 2. Doble página 12–13. Buenos Aires 1936: Cuarto centenario de su fundación. Visión fotográfica. Municipalidad de Buenos Aires, 1936. Biblioteca de la Sociedad Central de Arquitectos, Buenos Aires. Cortesía de la autora. FIGURA 2. Doble página 12–13. Buenos Aires 1936: Cuarto centenario de su fundación. Visión fotográfica . Municipalidad de Buenos Aires, 1936. Biblioteca de la Sociedad Central de Arquitectos, Buenos Aires. Cortesía de la autora. FIGURA 2. Doble página 12–13. Buenos Aires 1936: Cuarto centenario... More

FIGURA 3. Doble página 8–9. Buenos Aires 1936: Cuarto centenario de su fundación. Visión fotográfica . Municipalidad de Buenos Aires, 1936. Biblioteca de la Sociedad Central de Arquitectos, Buenos Aires. Cortesía de la autora. FIGURA 3. Doble página 8–9. Buenos Aires 1936: Cuarto centenario de su fundación. Visión fotográfica. Municipalidad de Buenos Aires, 1936. Biblioteca de la Sociedad Central de Arquitectos, Buenos Aires. Cortesía de la autora. FIGURA 3. Doble página 8–9. Buenos Aires 1936: Cuarto centenario de su fundación. Visión fotográfica . Municipalidad de Buenos Aires, 1936. Biblioteca de la Sociedad Central de Arquitectos, Buenos Aires. Cortesía de la autora. FIGURA 3. Doble página 8–9. Buenos Aires 1936: Cuarto centenario de ... More

FIGURA 4. Doble página 130–131. Buenos Aires 1936: Cuarto centenario de su fundación. Visión fotográfica . Municipalidad de Buenos Aires, 1936. Biblioteca de la Sociedad Central de Arquitectos, Buenos Aires. Cortesía de la autora. FIGURA 4. Doble página 130–131. Buenos Aires 1936: Cuarto centenario de su fundación. Visión fotográfica. Municipalidad de Buenos Aires, 1936. Biblioteca de la Sociedad Central de Arquitectos, Buenos Aires. Cortesía de la autora. FIGURA 4. Doble página 130–131. Buenos Aires 1936: Cuarto centenario de su fundación. Visión fotográfica . Municipalidad de Buenos Aires, 1936. Biblioteca de la Sociedad Central de Arquitectos, Buenos Aires. Cortesía de la autora. FIGURA 4. Doble página 130–131. Buenos Aires 1936: Cuarto centen... More

FIGURA 5. Tapa de la segunda edición. Buenos Aires: Cuarto centenario de su fundación. Visión fotográfica . Municipalidad de Buenos Aires, 1937. Biblioteca de la Academia Nacional de Bellas Artes, Buenos Aires. Cortesía de la autora. FIGURA 5. Tapa de la segunda edición. Buenos Aires: Cuarto centenario de su fundación. Visión fotográfica. Municipalidad de Buenos Aires, 1937. Biblioteca de la Academia Nacional de Bellas Artes, Buenos Aires. Cortesía de la autora. FIGURA 5. Tapa de la segunda edición. Buenos Aires: Cuarto centenario de su fundación. Visión fotográfica . Municipalidad de Buenos Aires, 1937. Biblioteca de la Academia Nacional de Bellas Artes, Buenos Aires. Cortesía de la autora. FIGURA 5. Tapa de la segunda edición. Buenos Aires: Cuarto ce... More

FIGURE 1. Dario de Dominicis, Cais do Valongo, 2014. Courtesy of the photographer. FIGURE 1. Dario de Dominicis, Cais do Valongo, 2014. Courtesy of the photographer. FIGURE 1. Dario de Dominicis, Cais do Valongo, 2014. Courtesy of the photographer. FIGURE 1. Dario de Dominicis, Cais do Valongo, 2014. Courtesy of the photographer. More

FIGURE 2. Dario de Dominicis, Pedra do Sal, 2014. Courtesy of the photographer. FIGURE 2. Dario de Dominicis, Pedra do Sal, 2014. Courtesy of the photographer. FIGURE 2. Dario de Dominicis, Pedra do Sal, 2014. Courtesy of the photographer. FIGURE 2. Dario de Dominicis, Pedra do Sal, 2014. Courtesy of the photographer. More

FIGURE 3. Dario de Dominicis, Theatrical Performance at the Pedra do Sal, 2014. Courtesy of the photographer. FIGURE 3. Dario de Dominicis, Theatrical Performance at the Pedra do Sal, 2014. Courtesy of the photographer. FIGURE 3. Dario de Dominicis, Theatrical Performance at the Pedra do Sal, 2014. Courtesy of the photographer. FIGURE 3. Dario de Dominicis, Theatrical Performance at the Pedra do Sal, 2014. Courtesy of the photographer. More

FIGURE 4. Dario de Dominicis, Police in riot gear in front of the old Museu do Índio, 2013. Courtesy of the photographer. FIGURE 4. Dario de Dominicis, Police in riot gear in front of the old Museu do Índio, 2013. Courtesy of the photographer. FIGURE 4. Dario de Dominicis, Police in riot gear in front of the old Museu do Índio, 2013. Courtesy of the photographer. FIGURE 4. Dario de Dominicis, Police in riot gear in front of the old Museu do Índio, 2013. Courtesy of the photographer. More

FIGURE 5. Dario de Dominicis, Protest near the Maracanã stadium, 2012. Courtesy of the photographer. FIGURE 5. Dario de Dominicis, Protest near the Maracanã stadium, 2012. Courtesy of the photographer. FIGURE 5. Dario de Dominicis, Protest near the Maracanã stadium, 2012. Courtesy of the photographer. FIGURE 5. Dario de Dominicis, Protest near the Maracanã stadium, 2012. Courtesy of the photographer. More

FIGURE 6. Dario de Dominicis, Ceremony in the garden of the old Museu do Índio, 2011. Courtesy of the photographer. FIGURE 6. Dario de Dominicis, Ceremony in the garden of the old Museu do Índio, 2011. Courtesy of the photographer. FIGURE 6. Dario de Dominicis, Ceremony in the garden of the old Museu do Índio, 2011. Courtesy of the photographer. FIGURE 6. Dario de Dominicis, Ceremony in the garden of the old Museu do Índio, 2011. Courtesy of the photographer. More

FIGURE 1. Unidentified artist, chacmool from the Palacio Quemado, Tula, Early Postclassic, basalt. Left , photograph by Alejandro Linares García, reproduced from Wikimedia Commons, https://commons.wikimedia.org/wiki/Category:Jorge_R._Acosta_Museum#/media/File:TulaSite14.JPG (accessed December 2019). Right , drawing by Jay Scantling after Elizabeth Jiménez García, Iconografía de Tula: El caso de la escultura (Mexico City: Instituto Nacional de Antropología e Historia, 1998), 71, fig. 25. FIGURE 1. Unidentified artist, chacmool from the Palacio Quemado, Tula, Early Postclassic, basalt. Left, photograph by Alejandro Linares García, reproduced from Wikimedia Commons, https://commons.wikimedia.org/wiki/Category:Jorge_R._Acosta_Museum#/media/File:TulaSite14.JPG (accessed December 2019). Right, drawing by Jay Scantling after Elizabeth Jiménez García, Iconografía de Tula: El caso de la escultura (Mexico City: Instituto Nacional de Antropología e Historia, 1998), 71, fig. 25. FIGURE 1. Unidentified artist, chacmool from the Palacio Quemado, Tula, Early Postclassic, basalt. Left , photograph by Alejandro Linares García, reproduced from Wikimedia Commons, https://commons.wikimedia.org/wiki/Category:Jorge_R._Acosta_Museum#/media/File:TulaSite14.JPG (accessed December 2... More

FIGURE 2. Unidentified artist, reclining figure from Sala 1, Palacio Quemado, Tula, Early Postclassic, Guadalupe Mastache Hall, Tula Archaeological Site. Drawing by Jay Scantling after Esperanza Elizabeth Jiménez García, “Sculptural-Iconographic Catalogue of Tula, Hidalgo: The Stone Figures,” report submitted to the Foundation for the Advancement of Mesoamerican Studies, Inc. (FAMSI), 2008, http://www.famsi.org/reports/07027/ , photo 28 (accessed December 2019). FIGURE 2. Unidentified artist, reclining figure from Sala 1, Palacio Quemado, Tula, Early Postclassic, Guadalupe Mastache Hall, Tula Archaeological Site. Drawing by Jay Scantling after Esperanza Elizabeth Jiménez García, “Sculptural-Iconographic Catalogue of Tula, Hidalgo: The Stone Figures,” report submitted to the Foundation for the Advancement of Mesoamerican Studies, Inc. (FAMSI), 2008, http://www.famsi.org/reports/07027/, photo 28 (accessed December 2019). FIGURE 2. Unidentified artist, reclining figure from Sala 1, Palacio Quemado, Tula, Early Postclassic, Guadalupe Mastache Hall, Tula Archaeological Site. Drawing by Jay Scantling after Esperanza Elizabeth Jiménez García, “Sculptural-Iconographic Catalogue of Tula, Hidalgo: The Stone Figures,” repo... More

FIGURE 3. Unidentified artist, reclining figure from Sala 1, Palacio Quemado, Tula, Early Postclassic. Drawing by Jay Scantling after Jiménez García, Iconografía de Tula , 147, fig. 55. FIGURE 3. Unidentified artist, reclining figure from Sala 1, Palacio Quemado, Tula, Early Postclassic. Drawing by Jay Scantling after Jiménez García, Iconografía de Tula, 147, fig. 55. FIGURE 3. Unidentified artist, reclining figure from Sala 1, Palacio Quemado, Tula, Early Postclassic. Drawing by Jay Scantling after Jiménez García, Iconografía de Tula , 147, fig. 55. FIGURE 3. Unidentified artist, reclining figure from Sala 1, Palacio Quemado, Tula, Early Postclassic. Drawin... More

FIGURE 4. Unidentified artist, cuauhxicalli image from Sala 1, Palacio Quemado, Tula, Early Postclassic, stone relief. Drawing by Jay Scantling after Jiménez García, Iconografía de Tula , photo 41. FIGURE 4. Unidentified artist, cuauhxicalli image from Sala 1, Palacio Quemado, Tula, Early Postclassic, stone relief. Drawing by Jay Scantling after Jiménez García, Iconografía de Tula, photo 41. FIGURE 4. Unidentified artist, cuauhxicalli image from Sala 1, Palacio Quemado, Tula, Early Postclassic, stone relief. Drawing by Jay Scantling after Jiménez García, Iconografía de Tula , photo 41. FIGURE 4. Unidentified artist, cuauhxicalli image from Sala 1, Palacio Quemado, Tula, Early Pos... More

FIGURE 5. Unidentified artist, chacmool from the Castillo-sub, Chichén Itzá Terminal Classic to Early Postclassic, stone sculpture. Reproduced from Wikimedia Commons, https://upload.wikimedia.org/wikipedia/commons/7/76/Chichen_Itza_CastilloSub_ChacMool.jpg (accessed December 2019). FIGURE 5. Unidentified artist, chacmool from the Castillo-sub, Chichén Itzá Terminal Classic to Early Postclassic, stone sculpture. Reproduced from Wikimedia Commons, https://upload.wikimedia.org/wikipedia/commons/7/76/Chichen_Itza_CastilloSub_ChacMool.jpg (accessed December 2019). FIGURE 5. Unidentified artist, chacmool from the Castillo-sub, Chichén Itzá Terminal Classic to Early Postclassic, stone sculpture. Reproduced from Wikimedia Commons, https://upload.wikimedia.org/wikipedia/commons/7/76/Chichen_Itza_CastilloSub_ChacMool.jpg (accessed December 2019). FIGURE 5. U... More

FIGURE 6. Unidentified artist, chacmool from the Tzompantli, Chichén Itzá, Early Postclassic, stone sculpture. Photograph by Ewen Roberts, reproduced from Wikimedia Commons, https://commons.wikimedia.org/wiki/File:Chac_Mool_statue,_from_Chichen_Itza_by_Ewen_Roberts.jpg (accessed December 2019). FIGURE 6. Unidentified artist, chacmool from the Tzompantli, Chichén Itzá, Early Postclassic, stone sculpture. Photograph by Ewen Roberts, reproduced from Wikimedia Commons, https://commons.wikimedia.org/wiki/File:Chac_Mool_statue,_from_Chichen_Itza_by_Ewen_Roberts.jpg (accessed December 2019). FIGURE 6. Unidentified artist, chacmool from the Tzompantli, Chichén Itzá, Early Postclassic, stone sculpture. Photograph by Ewen Roberts, reproduced from Wikimedia Commons, https://commons.wikimedia.org/wiki/File:Chac_Mool_statue,_from_Chichen_Itza_by_Ewen_Roberts.jpg (accessed December 2019). ... More

FIGURE 7. Unidentified artist, chacmool from the North Colonnade, Chichén Itzá, Early Postclassic, stone sculpture. Reproduced from Wikimedia Commons, https://commons.wikimedia.org/wiki/File:Chichen_Itza_ChacMool_(W).jpg (accessed December 2019). FIGURE 7. Unidentified artist, chacmool from the North Colonnade, Chichén Itzá, Early Postclassic, stone sculpture. Reproduced from Wikimedia Commons, https://commons.wikimedia.org/wiki/File:Chichen_Itza_ChacMool_(W).jpg (accessed December 2019). FIGURE 7. Unidentified artist, chacmool from the North Colonnade, Chichén Itzá, Early Postclassic, stone sculpture. Reproduced from Wikimedia Commons, https://commons.wikimedia.org/wiki/File:Chichen_Itza_ChacMool_(W).jpg (accessed December 2019). FIGURE 7. Unidentified artist, chacmool from th... More

FIGURE 8. Unidentified artist, chacmool from the Venus Platform, Chichén Itzá, Early Postclassic, stone sculpture. Museo Nacional de Antropología e Historia, Mexico City. Photograph by Auguste Le Plongeon, 1875, in the public domain, reproduced from Wikimedia Commons, https://commons.wikimedia.org/wiki/Category:Tumba_de_Chac_Mool_in_Chich%C3%A9n_Itz%C3%A1#/media/File:Chac_Mool1.jpg (accessed December 2019). FIGURE 8. Unidentified artist, chacmool from the Venus Platform, Chichén Itzá, Early Postclassic, stone sculpture. Museo Nacional de Antropología e Historia, Mexico City. Photograph by Auguste Le Plongeon, 1875, in the public domain, reproduced from Wikimedia Commons, https://commons.wikimedia.org/wiki/Category:Tumba_de_Chac_Mool_in_Chich%C3%A9n_Itz%C3%A1#/media/File:Chac_Mool1.jpg (accessed December 2019). FIGURE 8. Unidentified artist, chacmool from the Venus Platform, Chichén Itzá, Early Postclassic, stone sculpture. Museo Nacional de Antropología e Historia, Mexico City. Photograph by Auguste Le Plongeon, 1875, in the public domain, reproduced from Wikimedia Commons, https://commons.wikimedia.or... More

FIGURE 9. Unidentified artist, headless chacmool from Sala 2, Palacio Quemado, Tula, Early Postclassic, basalt sculpture. Guadalupe Mastache Orientation Hall, Tula. Photograph by Alejandro Linares García (CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=24500369 ) (accessed December 2019). FIGURE 9. Unidentified artist, headless chacmool from Sala 2, Palacio Quemado, Tula, Early Postclassic, basalt sculpture. Guadalupe Mastache Orientation Hall, Tula. Photograph by Alejandro Linares García (CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=24500369) (accessed December 2019). FIGURE 9. Unidentified artist, headless chacmool from Sala 2, Palacio Quemado, Tula, Early Postclassic, basalt sculpture. Guadalupe Mastache Orientation Hall, Tula. Photograph by Alejandro Linares García (CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=24500369 ) (accessed December ... More