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Journal Articles

Editorial Commentary: The Office of National Exiles

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Mariola V. Alvarez
Journal: Latin American and Latinx Visual Culture
Latin American and Latinx Visual Culture (2025) 7 (3): 1–3.
https://doi.org/10.1525/lavc.2025.7.3.1
Published: 01 July 2025
View article titled, Editorial Commentary: The Office of National Exiles
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Journal Articles

Between Ruin and Resilience: Gendered Precarity in Teresa Margolles’s “Pistas de baile”

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Ila N. Sheren
Journal: Latin American and Latinx Visual Culture
Latin American and Latinx Visual Culture (2025) 7 (3): 27–41.
https://doi.org/10.1525/lavc.2025.7.3.27
Published: 01 July 2025
View article titled, Between Ruin and Resilience: Gendered Precarity in Teresa Margolles’s “Pistas de baile”
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Journal Articles

Countering Columbus: “La Glorieta de las Mujeres que Luchan”—Antimonuments and Artistic Interventions on the Paseo de la Reforma in Mexico City

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Johanna Spanke
Journal: Latin American and Latinx Visual Culture
Latin American and Latinx Visual Culture (2025) 7 (3): 4–26.
https://doi.org/10.1525/lavc.2025.7.3.4
Published: 01 July 2025
View article titled, Countering Columbus: “La Glorieta de las Mujeres que Luchan”—Antimonuments and Artistic Interventions on the Paseo de la Reforma in Mexico City
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Journal Articles

“Lifting the Lid”: Documentary Photography and Testimony in Paz Errázuriz and Claudia Donoso’s “Adam’s Apple”

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Rada Georgieva
Journal: Latin American and Latinx Visual Culture
Latin American and Latinx Visual Culture (2025) 7 (3): 42–57.
https://doi.org/10.1525/lavc.2025.7.3.42
Published: 01 July 2025
View article titled, “Lifting the Lid”: Documentary Photography and Testimony in Paz Errázuriz and Claudia Donoso’s “Adam’s Apple”
Open the PDF for “Lifting the Lid”: Documentary Photography and Testimony in Paz Errázuriz and Claudia Donoso’s “Adam’s Apple” in another window
Journal Articles

The Geopolitics of La Llorona and Migrant Motherhood in Batwoman

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Matthew Goldmark
Journal: Latin American and Latinx Visual Culture
Latin American and Latinx Visual Culture (2025) 7 (3): 58–68.
https://doi.org/10.1525/lavc.2025.7.3.58
Published: 01 July 2025
View article titled, The Geopolitics of La Llorona and Migrant Motherhood in Batwoman
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Journal Articles

Review: Dismantling the Nation: Contemporary Art in Chile , edited by Florencia San Martín, Carla Macchiavello Cornejo, and Paula Solimano

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Paul R. Merchant
Journal: Latin American and Latinx Visual Culture
Latin American and Latinx Visual Culture (2025) 7 (3): 69–70.
https://doi.org/10.1525/lavc.2025.7.3.69
Published: 01 July 2025
View article titled, Review: Dismantling the Nation: Contemporary Art in Chile , edited by Florencia San Martín, Carla Macchiavello Cornejo, and Paula Solimano
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Journal Articles

Review: Visual Disobedience: Art and Decoloniality in Central America , by Kency Cornejo

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Cristina E. Pardo Porto
Journal: Latin American and Latinx Visual Culture
Latin American and Latinx Visual Culture (2025) 7 (3): 71–72.
https://doi.org/10.1525/lavc.2025.7.3.71
Published: 01 July 2025
View article titled, Review: Visual Disobedience: Art and Decoloniality in Central America , by Kency Cornejo
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Journal Articles

Review: Entranced Earth: Art, Extractivism and the End of Landscape , by Jens Andermann

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Sophie Halart
Journal: Latin American and Latinx Visual Culture
Latin American and Latinx Visual Culture (2025) 7 (3): 73–75.
https://doi.org/10.1525/lavc.2025.7.3.73
Published: 01 July 2025
View article titled, Review: Entranced Earth: Art, Extractivism and the End of Landscape , by Jens Andermann
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Images
Paz Errázuriz, Mercedes and Evelyn, 1983, digital ink print on paper, 36 x 55 cm, first published in La manzana de Adán/Adam’s Apple (Zona, 1990). Fundación MAPFRE, Santiago de Chile (Courtesy of Paz Errázuriz)

Paz Errázuriz, Mercedes and Evelyn , 1983, digital ink print on paper, 36 ...

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in “Lifting the Lid”: Documentary Photography and Testimony in Paz Errázuriz and Claudia Donoso’s “Adam’s Apple” > Latin American and Latinx Visual Culture
Published: 01 July 2025
Figure 1. Paz Errázuriz, Mercedes and Evelyn , 1983, digital ink print on paper, 36 x 55 cm, first published in La manzana de Adán/Adam’s Apple (Zona, 1990). Fundación MAPFRE, Santiago de Chile (Courtesy of Paz Errázuriz) More about this image found in Paz Errázuriz, Mercedes and Evelyn , 1983, digital ink print on paper, 36 ...
Images
Paz Errázuriz, Evelyn, 1983, digital ink print on paper, 28 x 42.4 cm, reproduced in Adam's Apple. Fundación MAPFRE, Santiago de Chile (Courtesy of Paz Errázuriz)

Paz Errázuriz, Evelyn , 1983, digital ink print on paper, 28 x 42.4 cm, re...

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in “Lifting the Lid”: Documentary Photography and Testimony in Paz Errázuriz and Claudia Donoso’s “Adam’s Apple” > Latin American and Latinx Visual Culture
Published: 01 July 2025
Figure 2. Paz Errázuriz, Evelyn , 1983, digital ink print on paper, 28 x 42.4 cm, reproduced in Adam's Apple . Fundación MAPFRE, Santiago de Chile (Courtesy of Paz Errázuriz) More about this image found in Paz Errázuriz, Evelyn , 1983, digital ink print on paper, 28 x 42.4 cm, re...
Images
Paz Errázuriz, Andrea Polpaico, Talca, 1987, digital ink print on paper, 40.7 x 27.8 cm, reproduced in Adam’s Apple. Fundación MAPFRE, Santiago de Chile (Courtesy of Paz Errázuriz)

Paz Errázuriz, Andrea Polpaico, Talca , 1987, digital ink print on paper, ...

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in “Lifting the Lid”: Documentary Photography and Testimony in Paz Errázuriz and Claudia Donoso’s “Adam’s Apple” > Latin American and Latinx Visual Culture
Published: 01 July 2025
Figure 3. Paz Errázuriz, Andrea Polpaico, Talca , 1987, digital ink print on paper, 40.7 x 27.8 cm, reproduced in Adam’s Apple . Fundación MAPFRE, Santiago de Chile (Courtesy of Paz Errázuriz) More about this image found in Paz Errázuriz, Andrea Polpaico, Talca , 1987, digital ink print on paper, ...
Images
Paz Errázuriz, Mercedes, Santiago, 1982–88, digital ink print on paper, 36.4 x 28 cm, reproduced in Adam’s Apple. Fundación MAPFRE, Santiago de Chile (Courtesy of Paz Errázuriz)

Paz Errázuriz, Mercedes , Santiago , 1982–88, digital ink print on paper,...

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in “Lifting the Lid”: Documentary Photography and Testimony in Paz Errázuriz and Claudia Donoso’s “Adam’s Apple” > Latin American and Latinx Visual Culture
Published: 01 July 2025
Figure 4. Paz Errázuriz, Mercedes , Santiago , 1982–88, digital ink print on paper, 36.4 x 28 cm, reproduced in Adam’s Apple . Fundación MAPFRE, Santiago de Chile (Courtesy of Paz Errázuriz) More about this image found in Paz Errázuriz, Mercedes , Santiago , 1982–88, digital ink print on paper,...
Images
Paz Errázuriz, Gastón Padilla, Cementerio General, 1982–88, reproduced in Adam's Apple (Courtesy of Paz Errázuriz)

Paz Errázuriz, Gastón Padilla, Cementerio General , 1982–88, reproduced in...

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in “Lifting the Lid”: Documentary Photography and Testimony in Paz Errázuriz and Claudia Donoso’s “Adam’s Apple” > Latin American and Latinx Visual Culture
Published: 01 July 2025
Figure 5. Paz Errázuriz, Gastón Padilla, Cementerio General , 1982–88, reproduced in Adam's Apple (Courtesy of Paz Errázuriz) More about this image found in Paz Errázuriz, Gastón Padilla, Cementerio General , 1982–88, reproduced in...
Images
Paz Errázuriz, Evelyn, 1983, gelatin silver print on baryta paper, 55 x 41 cm, reproduced in Adam's Apple. Fundación MAPFRE, Santiago de Chile (Courtesy of Paz Errázuriz)

Paz Errázuriz, Evelyn , 1983, gelatin silver print on baryta paper, 55 x 4...

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in “Lifting the Lid”: Documentary Photography and Testimony in Paz Errázuriz and Claudia Donoso’s “Adam’s Apple” > Latin American and Latinx Visual Culture
Published: 01 July 2025
Figure 6. Paz Errázuriz, Evelyn , 1983, gelatin silver print on baryta paper, 55 x 41 cm, reproduced in Adam's Apple . Fundación MAPFRE, Santiago de Chile (Courtesy of Paz Errázuriz) More about this image found in Paz Errázuriz, Evelyn , 1983, gelatin silver print on baryta paper, 55 x 4...
Images
Pista de baile del club “Las Vegas”, 2016, color print on cotton paper, 120 x 180 cm. Transgender sex worker, Osiris, standing on the dance floor of a demolished club in Ciudad Juárez, Mexico (photograph provided by the artist and Galerie Peter Kilchmann, Zurich)

Pista de baile del club “Las Vegas” , 2016, color print on cotton paper, 12...

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in Between Ruin and Resilience: Gendered Precarity in Teresa Margolles’s “Pistas de baile” > Latin American and Latinx Visual Culture
Published: 01 July 2025
Figure 1. Pista de baile del club “Las Vegas” , 2016, color print on cotton paper, 120 x 180 cm. Transgender sex worker, Osiris, standing on the dance floor of a demolished club in Ciudad Juárez, Mexico (photograph provided by the artist and Galerie Peter Kilchmann, Zurich) More about this image found in Pista de baile del club “Las Vegas” , 2016, color print on cotton paper, 12...
Images
Pista de baile del club “Ruv”, 2016, color print on cotton paper, 120 x 180 cm. Transgender sex worker, Karla Ivonne, standing on the dance floor of a demolished club in Ciudad Juárez (photograph provided by the artist and Galerie Peter Kilchmann, Zurich)

Pista de baile del club “Ruv” , 2016, color print on cotton paper, 120 x 18...

Available to Purchase
in Between Ruin and Resilience: Gendered Precarity in Teresa Margolles’s “Pistas de baile” > Latin American and Latinx Visual Culture
Published: 01 July 2025
Figure 2. Pista de baile del club “Ruv” , 2016, color print on cotton paper, 120 x 180 cm. Transgender sex worker, Karla Ivonne, standing on the dance floor of a demolished club in Ciudad Juárez (photograph provided by the artist and Galerie Peter Kilchmann, Zurich) More about this image found in Pista de baile del club “Ruv” , 2016, color print on cotton paper, 120 x 18...
Images
Esta finca no será demolida (This property will not be demolished), 2011, color print, 66.5 x 100 cm (photograph provided by the artist and Galerie Peter Kilchmann, Zurich)

Esta finca no será demolida (This property will not be demolished), 2011, ...

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in Between Ruin and Resilience: Gendered Precarity in Teresa Margolles’s “Pistas de baile” > Latin American and Latinx Visual Culture
Published: 01 July 2025
Figure 3. Esta finca no será demolida (This property will not be demolished), 2011, color print, 66.5 x 100 cm (photograph provided by the artist and Galerie Peter Kilchmann, Zurich) More about this image found in Esta finca no será demolida (This property will not be demolished), 2011, ...
Images
Charles Cordier, Monumento a Colón, 1873−77, bronze. Formerly at the Glorieta de Colón, Paseo de la Reforma, Mexico City, sculptures currently in storage (photograph by ProtoplasmaKid, Wikimedia Commons, licensed under the Creative Commons Attribution-Share Alike 4.0 international license)

Charles Cordier, Monumento a Colón , 1873−77, bronze. Formerly at the Glor...

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in Countering Columbus: “La Glorieta de las Mujeres que Luchan”—Antimonuments and Artistic Interventions on the Paseo de la Reforma in Mexico City > Latin American and Latinx Visual Culture
Published: 01 July 2025
Figure 1. Charles Cordier, Monumento a Colón , 1873−77, bronze. Formerly at the Glorieta de Colón, Paseo de la Reforma, Mexico City, sculptures currently in storage (photograph by ProtoplasmaKid, Wikimedia Commons, licensed under the Creative Commons Attribution-Share Alike 4.0 international lice... More about this image found in Charles Cordier, Monumento a Colón , 1873−77, bronze. Formerly at the Glor...
Images
Charles Cordier, Arrival of Columbus, 1873−77, relief on the pedestal of Monumento a Colón, bronze. Silvio Zavala, El descubrimiento colombino en el arte de los siglos XIX y XX (Fomento Cultural Banamex, 1991), pl. 21.

Charles Cordier, Arrival of Columbus , 1873−77, relief on the pedestal of ...

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in Countering Columbus: “La Glorieta de las Mujeres que Luchan”—Antimonuments and Artistic Interventions on the Paseo de la Reforma in Mexico City > Latin American and Latinx Visual Culture
Published: 01 July 2025
Figure 2. Charles Cordier, Arrival of Columbus , 1873−77, relief on the pedestal of Monumento a Colón , bronze. Silvio Zavala, El descubrimiento colombino en el arte de los siglos XIX y XX (Fomento Cultural Banamex, 1991), pl. 21. More about this image found in Charles Cordier, Arrival of Columbus , 1873−77, relief on the pedestal of ...
Images
Andrés Zerneri, Monumento a Juana Azurduy, 2015, bronze. Formerly in the Parque Colón between the Casa Rosada and Avenida de la Rábida, now Plaza del Correo, in front of the Kirchner Cultural Center, Buenos Aires (photograph by Raf24, Wikimedia Commons, CC BY-SA 4.0 international license)

Andrés Zerneri, Monumento a Juana Azurduy , 2015, bronze. Formerly in the ...

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in Countering Columbus: “La Glorieta de las Mujeres que Luchan”—Antimonuments and Artistic Interventions on the Paseo de la Reforma in Mexico City > Latin American and Latinx Visual Culture
Published: 01 July 2025
Figure 3. Andrés Zerneri, Monumento a Juana Azurduy , 2015, bronze. Formerly in the Parque Colón between the Casa Rosada and Avenida de la Rábida, now Plaza del Correo, in front of the Kirchner Cultural Center, Buenos Aires (photograph by Raf24, Wikimedia Commons, CC BY-SA 4.0 international licen... More about this image found in Andrés Zerneri, Monumento a Juana Azurduy , 2015, bronze. Formerly in the ...