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Journal Articles

Editorial Commentary: Mourning as a Form of Politics

Liliana Gómez
Journal: Latin American and Latinx Visual Culture
Latin American and Latinx Visual Culture (2025) 7 (2): 1–5.
https://doi.org/10.1525/lavc.2025.7.2.1
Published: 01 April 2025
View articletitled, Editorial Commentary: Mourning as a Form of Politics
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Journal Articles

Ocean, Sky, Sugar, and Spirit: The Power of Pooling in Firelei Báez’s A Drexcyen Chronocommons (To win the war you fought it sideways)

Rebeca L. Hey-Colón
Journal: Latin American and Latinx Visual Culture
Latin American and Latinx Visual Culture (2025) 7 (2): 6–26.
https://doi.org/10.1525/lavc.2025.7.2.6
Published: 01 April 2025
View articletitled, Ocean, Sky, Sugar, and Spirit: The Power of Pooling in Firelei Báez’s A Drexcyen Chronocommons (To win the war you fought it sideways)
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Journal Articles

Being a Good Father: The Politics of Care in Eugenio Derbez’s No se aceptan devoluciones

Marcelo Carosi
Journal: Latin American and Latinx Visual Culture
Latin American and Latinx Visual Culture (2025) 7 (2): 27–40.
https://doi.org/10.1525/lavc.2025.7.2.27
Published: 01 April 2025
View articletitled, Being a Good Father: The Politics of Care in Eugenio Derbez’s No se aceptan devoluciones
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Journal Articles

Modernity, Migration, and Defeat: The Brazilian Gaze in Noites Paraguayas during the Era of Alfredo Stroessner

Bridget María Chesterton, Pedro Martins Mallmann
Journal: Latin American and Latinx Visual Culture
Latin American and Latinx Visual Culture (2025) 7 (2): 41–54.
https://doi.org/10.1525/lavc.2025.7.2.41
Published: 01 April 2025
View articletitled, Modernity, Migration, and Defeat: The Brazilian Gaze in Noites Paraguayas during the Era of Alfredo Stroessner
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Journal Articles

The Ordinary World of Tomoo Handa and Yoshiya Takaoka: Painting Diaspora in Japanese Brazilian Art

Mariola V. Alvarez
Journal: Latin American and Latinx Visual Culture
Latin American and Latinx Visual Culture (2025) 7 (2): 55–76.
https://doi.org/10.1525/lavc.2025.7.2.55
Published: 01 April 2025
View articletitled, The Ordinary World of Tomoo Handa and Yoshiya Takaoka: Painting Diaspora in Japanese Brazilian Art
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Journal Articles

Review: Appropriation and Invention: Three Centuries of Art in Spanish America. Selections from the Denver Art Museum , edited by Jorge F. Rivas Pérez

Michael J. Schreffler
Journal: Latin American and Latinx Visual Culture
Latin American and Latinx Visual Culture (2025) 7 (2): 77–78.
https://doi.org/10.1525/lavc.2025.7.2.77
Published: 01 April 2025
View articletitled, Review: Appropriation and Invention: Three Centuries of Art in Spanish America. Selections from the Denver Art Museum , edited by Jorge F. Rivas Pérez
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Journal Articles

Review: Spatial Orders, Social Forms: Art and the City in Modern Brazil , by Adrian Anagnost

Patricio del Real
Journal: Latin American and Latinx Visual Culture
Latin American and Latinx Visual Culture (2025) 7 (2): 79–80.
https://doi.org/10.1525/lavc.2025.7.2.79
Published: 01 April 2025
View articletitled, Review: Spatial Orders, Social Forms: Art and the City in Modern Brazil , by Adrian Anagnost
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Journal Articles

Review: Gego: Weaving the Space in Between , by Mónica Amor

Natalia Sassu Suarez Ferri
Journal: Latin American and Latinx Visual Culture
Latin American and Latinx Visual Culture (2025) 7 (2): 81–82.
https://doi.org/10.1525/lavc.2025.7.2.81
Published: 01 April 2025
View articletitled, Review: Gego: Weaving the Space in Between , by Mónica Amor
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Journal Articles

Review: Refined Material: Petroculture and Modernity in Venezuela , by Sean Nesselrode Moncada

Gianfranco Selgas
Journal: Latin American and Latinx Visual Culture
Latin American and Latinx Visual Culture (2025) 7 (2): 83–84.
https://doi.org/10.1525/lavc.2025.7.2.83
Published: 01 April 2025
View articletitled, Review: Refined Material: Petroculture and Modernity in Venezuela , by Sean Nesselrode Moncada
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Images
Melvin Edwards, Some Bright Morning, 1963, welded steel, 36.2 cm x 23.5 cm x 12.7 cm (© Melvin Edwards, courtesy of the artist; Alexander Gray Associates, New York; Stephen Friedman Gallery, London; Galerie Buchholz, Berlin)

Melvin Edwards, Some Bright Morning , 1963, welded steel, 36.2 cm x 23.5 c...

in Editorial Commentary: Mourning as a Form of Politics > Latin American and Latinx Visual Culture
Published: 01 April 2025
Figure 1. Melvin Edwards, Some Bright Morning , 1963, welded steel, 36.2 cm x 23.5 cm x 12.7 cm (© Melvin Edwards, courtesy of the artist; Alexander Gray Associates, New York; Stephen Friedman Gallery, London; Galerie Buchholz, Berlin) More about this image found in Melvin Edwards, Some Bright Morning , 1963, welded steel, 36.2 cm x 23.5 c...
Images
Melvin Edwards, Untitled, ca. 1974, painted welded steel. Installation view of Some Bright Morning, Museum Fridericianum, Kassel, Germany (photograph by Nicolas Wefers; © Melvin Edwards, documenta, and Museum Fridericianum GmbH; courtesy of Alexander Gray Associates, New York; Stephen Friedman Gallery, London; Galerie Buchholz, Berlin)

Melvin Edwards, Untitled , ca. 1974, painted welded steel. Installation vi...

in Editorial Commentary: Mourning as a Form of Politics > Latin American and Latinx Visual Culture
Published: 01 April 2025
Figure 2. Melvin Edwards, Untitled , ca. 1974, painted welded steel. Installation view of Some Bright Morning , Museum Fridericianum, Kassel, Germany (photograph by Nicolas Wefers; © Melvin Edwards, documenta, and Museum Fridericianum GmbH; courtesy of Alexander Gray Associates, New York; Stephe... More about this image found in Melvin Edwards, Untitled , ca. 1974, painted welded steel. Installation vi...
Images
Melvin Edwards, Augusta, 1974, watercolor and ink on paper, and Melvin Edwards, Coco Vari Providence, 2017, steel and barbed wire. Installation view of Some Bright Morning, Museum Fridericianum (photograph by Nicolas Wefers; © Melvin Edwards, documenta, and Museum Fridericianum GmbH; courtesy of Alexander Gray Associates, New York; Stephen Friedman Gallery, London; Galerie Buchholz, Berlin)

Melvin Edwards, Augusta , 1974, watercolor and ink on paper, and Melvin Ed...

in Editorial Commentary: Mourning as a Form of Politics > Latin American and Latinx Visual Culture
Published: 01 April 2025
Figure 3. Melvin Edwards, Augusta , 1974, watercolor and ink on paper, and Melvin Edwards, Coco Vari Providence , 2017, steel and barbed wire. Installation view of Some Bright Morning , Museum Fridericianum (photograph by Nicolas Wefers; © Melvin Edwards, documenta, and Museum Fridericianum Gmb... More about this image found in Melvin Edwards, Augusta , 1974, watercolor and ink on paper, and Melvin Ed...
Images
Still from No se aceptan devoluciones, dir. Eugenio Derbez, Mexico, 2013. Dropping off the baby (reproduced under fair use)

Still from No se aceptan devoluciones , dir. Eugenio Derbez, Mexico, 2013....

in Being a Good Father: The Politics of Care in Eugenio Derbez’s No se aceptan devoluciones > Latin American and Latinx Visual Culture
Published: 01 April 2025
Figure 1. Still from No se aceptan devoluciones , dir. Eugenio Derbez, Mexico, 2013. Dropping off the baby (reproduced under fair use) More about this image found in Still from No se aceptan devoluciones , dir. Eugenio Derbez, Mexico, 2013....
Images
Still from No se aceptan devoluciones. Jumping for Maggie (reproduced under fair use)

Still from No se aceptan devoluciones . Jumping for Maggie (reproduced und...

in Being a Good Father: The Politics of Care in Eugenio Derbez’s No se aceptan devoluciones > Latin American and Latinx Visual Culture
Published: 01 April 2025
Figure 2. Still from No se aceptan devoluciones . Jumping for Maggie (reproduced under fair use) More about this image found in Still from No se aceptan devoluciones . Jumping for Maggie (reproduced und...
Images
Still from No se aceptan devoluciones. Looking at queer motherhood (reproduced under fair use)

Still from No se aceptan devoluciones . Looking at queer motherhood (repro...

in Being a Good Father: The Politics of Care in Eugenio Derbez’s No se aceptan devoluciones > Latin American and Latinx Visual Culture
Published: 01 April 2025
Figure 3. Still from No se aceptan devoluciones . Looking at queer motherhood (reproduced under fair use) More about this image found in Still from No se aceptan devoluciones . Looking at queer motherhood (repro...
Images
Still from No se aceptan devoluciones. Paternity on trial (reproduced under fair use)

Still from No se aceptan devoluciones . Paternity on trial (reproduced und...

in Being a Good Father: The Politics of Care in Eugenio Derbez’s No se aceptan devoluciones > Latin American and Latinx Visual Culture
Published: 01 April 2025
Figure 4. Still from No se aceptan devoluciones . Paternity on trial (reproduced under fair use) More about this image found in Still from No se aceptan devoluciones . Paternity on trial (reproduced und...
Images
Still from Noites Paraguayas, dir. Aloysio Raulino, 1982. Rosendo purchasing ice cream from Super Helados BRASIL (reproduced under fair use)

Still from Noites Paraguayas , dir. Aloysio Raulino, 1982. Rosendo purchas...

in Modernity, Migration, and Defeat: The Brazilian Gaze in Noites Paraguayas during the Era of Alfredo Stroessner > Latin American and Latinx Visual Culture
Published: 01 April 2025
Figure 1. Still from Noites Paraguayas , dir. Aloysio Raulino, 1982. Rosendo purchasing ice cream from Super Helados BRASIL (reproduced under fair use) More about this image found in Still from Noites Paraguayas , dir. Aloysio Raulino, 1982. Rosendo purchas...
Images
Still from Noites Paraguayas. Roulette ball landing on the Brazilian flag (reproduced under fair use)

Still from Noites Paraguayas . Roulette ball landing on the Brazilian flag...

in Modernity, Migration, and Defeat: The Brazilian Gaze in Noites Paraguayas during the Era of Alfredo Stroessner > Latin American and Latinx Visual Culture
Published: 01 April 2025
Figure 2. Still from Noites Paraguayas . Roulette ball landing on the Brazilian flag (reproduced under fair use) More about this image found in Still from Noites Paraguayas . Roulette ball landing on the Brazilian flag...
Images
Still from Noites Paraguayas. Asunción at night (reproduced under fair use)

Still from Noites Paraguayas . Asunción at night (reproduced under fair us...

in Modernity, Migration, and Defeat: The Brazilian Gaze in Noites Paraguayas during the Era of Alfredo Stroessner > Latin American and Latinx Visual Culture
Published: 01 April 2025
Figure 3. Still from Noites Paraguayas . Asunción at night (reproduced under fair use) More about this image found in Still from Noites Paraguayas . Asunción at night (reproduced under fair us...
Images
Brazilian tourists purchasing hats, Ñandé, January 1970. Biblioteca Nacional de Asunción (image in the public domain, photographer unidentified)

Brazilian tourists purchasing hats, Ñandé , January 1970. Biblioteca Nacio...

in Modernity, Migration, and Defeat: The Brazilian Gaze in Noites Paraguayas during the Era of Alfredo Stroessner > Latin American and Latinx Visual Culture
Published: 01 April 2025
Figure 4. Brazilian tourists purchasing hats, Ñandé , January 1970. Biblioteca Nacional de Asunción (image in the public domain, photographer unidentified) More about this image found in Brazilian tourists purchasing hats, Ñandé , January 1970. Biblioteca Nacio...