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Volume 7, Issue 2
April 2025
Latin American and Latinx Visual Culture Cover Image for Volume 7, Issue 2
EISSN 2576-0947
In this Issue
Editorial Commentary: Mourning as a Form of Politics
Liliana Gómez
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Scholarly Essays

Ocean, Sky, Sugar, and Spirit: The Power of Pooling in Firelei Báez’s A Drexcyen Chronocommons (To win the war you fought it sideways)
Rebeca L. Hey-Colón
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Being a Good Father: The Politics of Care in Eugenio Derbez’s No se aceptan devoluciones
Marcelo Carosi
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Modernity, Migration, and Defeat: The Brazilian Gaze in Noites Paraguayas during the Era of Alfredo Stroessner
Bridget María Chesterton, Pedro Martins Mallmann
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The Ordinary World of Tomoo Handa and Yoshiya Takaoka: Painting Diaspora in Japanese Brazilian Art
Mariola V. Alvarez
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Book Reviews

Review: Appropriation and Invention: Three Centuries of Art in Spanish America. Selections from the Denver Art Museum, edited by Jorge F. Rivas Pérez
Michael J. Schreffler
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Review: Spatial Orders, Social Forms: Art and the City in Modern Brazil, by Adrian Anagnost
Patricio del Real
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Review: Gego: Weaving the Space in Between, by Mónica Amor
Natalia Sassu Suarez Ferri
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Review: Refined Material: Petroculture and Modernity in Venezuela, by Sean Nesselrode Moncada
Gianfranco Selgas
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All Issues
Editorial Commentary: Mourning as a Form of Politics
Being a Good Father: The Politics of Care in Eugenio Derbez’s No se aceptan devoluciones
Modernity, Migration, and Defeat: The Brazilian Gaze in Noites Paraguayas during the Era of Alfredo Stroessner
Ocean, Sky, Sugar, and Spirit: The Power of Pooling in Firelei Báez’s A Drexcyen Chronocommons (To win the war you fought it sideways)
The Ordinary World of Tomoo Handa and Yoshiya Takaoka: Painting Diaspora in Japanese Brazilian Art
  • Online ISSN 2576-0947
  • Copyright © 2025
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