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Volume 4, Issue 2
April 2022
Issue Cover
EISSN 2576-0947
Editorial Introduction
Emily A. Engel
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Editorial Commentary: The Politics and Praxis of Peer Review in Art History Publishing: Challenges, Ethics, and Reform
Charlene Villaseñor Black, Anna Indych-López
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Scholarly Essays

Modeling the Sacred: The Pyramidal Form and Its Resonance in Paracas Sculptural Ceramics
Lisa DeLeonardis
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Adapting Race: El hombre de los hongos as Mex-blaxploitation
Carolyn Fornoff
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Crafting a Relational Queer Body: The Knitted Artivism of Ben Cuevas
Guisela Latorre
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Dialogues: Afterlives and Different Futures for Latin American Art Guest Editors: George Flaherty and Adele Nelson

Introduction to the Dialogues on Afterlives and Different Futures for Latin American Art
George F. Flaherty, Adele Nelson
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Latin American Art by and for Whom?: Questioning and Unresolvability at the Austin Symposium (1975)
George F. Flaherty, Adele Nelson
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Projecting Latin America: Ángel Kalenberg’s Controversial Audiovisual at the Paris Biennial
Camila Maroja
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Ticio Escobar: Toward a Popular Art
Karen Benezra
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Accentuating Latin American Art’s African Dimensions
Eddie Chambers
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Book Reviews

Review: Descendants of Aztec Pictography: The Cultural Encyclopedias of Sixteenth-Century Mexico, by Elizabeth Hill Boone
Cecelia F. Klein
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Review: Creating Pátzcuaro, Creating Mexico: Art, Tourism, and Nation Building under Lázaro Cárdenas, by Jennifer Jolly
Erica Morawski
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Review: Modernity for the Masses: Antonio Bonet’s Dreams for Buenos Aires, by Ana María León
Kathryn E. O’Rourke
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Review: Contesting Modernity: Informalism in Venezuela, 1955–1975, edited by Mari Carmen Ramírez and Tahía Rivero, and El Techo de la Ballena: Retro-Modernity in Venezuela, by María C. Gaztambide
Sean Nesselrode Moncada
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Corrigendum
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All Issues
Accentuating Latin American Art’s African Dimensions
Review: Contesting Modernity: Informalism in Venezuela, 1955–1975, edited by Mari Carmen Ramírez and Tahía Rivero, and El Techo de la Ballena: Retro-Modernity in Venezuela, by María C. Gaztambide
Adapting Race: El hombre de los hongos as Mex-blaxploitation
Crafting a Relational Queer Body: The Knitted Artivism of Ben Cuevas
Modeling the Sacred: The Pyramidal Form and Its Resonance in Paracas Sculptural Ceramics
  • Online ISSN 2576-0947
  • Copyright © 2022
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