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Volume 3, Issue 1
January 2021
Latin American and Latinx Visual Culture Cover Image for Volume 3, Issue 1
EISSN 2576-0947
Editorial Introduction
Emily A. Engel
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Scholarly Essays

“Like the Flame of Fire”: A New Look at the “Hearst” Chalice
Ilona Katzew, Rachel Kaplan
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Artist as Witness: Débora Arango’s Images of Jorge Eliécer Gaitán and the Eruption of la Violencia in Colombia
Nancy Deffebach
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Dialogues: Displaying Greater Mexico: Border-Crossing Exhibitions, 1990-2020

Dialogues: Displaying Greater Mexico: Border-Crossing Exhibitions, 1990–2020
Jennifer Josten
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Mexicos and Americas
Rubén Ortiz-Torres
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Looking Back at The Arts of the Missions of Northern New Spain, 1600–1821
Clara Bargellini
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Golden Kingdoms at Getty: Going beyond Greater Mexico
Kim N. Richter
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Getting Community Engagement Right: Working with Transnational Indigenous Stakeholders in Oaxacalifornia
Xóchitl M. Flores-Marcial
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Emiliano: Framing Zapata’s Migrations through Greater Mexico in Mexico City’s Museo del Palacio de Bellas Artes
Luis Vargas-Santiago
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Book Reviews

Review: Beyond the Pink Tide: Art and Political Undercurrents in the Americas, by Macarena Gómez-Barris
Florencia San Martín
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Review: Gordon Parks: The Flávio Story, edited by Paul Roth and Amanda Maddox
Beatriz E. Balanta
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Review: Portraying the Aztec Past: The Codices Boturini, Azcatitlan, and Aubin, by Angela Herren Rajagopalan
Elizabeth Baquedano
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Review: Transatlantic Encounters: Latin American Artists in Paris between the Wars, by Michele Greet
Ana Magalhães
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All Issues
Editorial Commentary: Mourning as a Form of Politics
Being a Good Father: The Politics of Care in Eugenio Derbez’s No se aceptan devoluciones
Modernity, Migration, and Defeat: The Brazilian Gaze in Noites Paraguayas during the Era of Alfredo Stroessner
Ocean, Sky, Sugar, and Spirit: The Power of Pooling in Firelei Báez’s A Drexcyen Chronocommons (To win the war you fought it sideways)
The Ordinary World of Tomoo Handa and Yoshiya Takaoka: Painting Diaspora in Japanese Brazilian Art
  • Online ISSN 2576-0947
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