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Volume 2, Issue 3
2020
Latin American and Latinx Visual Culture Cover Image for Volume 2, Issue 3
EISSN 2576-0947
Editorial Introduction
Emily A. Engel
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Editorial Comment

Rethinking Mission Studies
Charlene Villaseñor Black
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Scholarly Essays

Thresholds of Time and Space: Year-Bearer Imagery in Postclassic Codices
Susan Milbrath
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Arte ConTexto: Leftist Political Murals in Chile, 1960s to 1990s
Antonio Bellisario, Leslie Prock
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Dialogues: The California Missions and the Arts Of Conquest

Dialogues: The California Missions and the Arts of Conquest
Guest Editor : Jennifer Scheper Hughes, Cynthia Neri Lewis
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The California Missions in Art History
Clara Bargellini
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Imagined Mission Spaces: Challenges in Visual Culture Interpretation
Cynthia Neri Lewis
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The Virgin of the Axe Blow: Images of Evangelization / Images of Violence
Luis Javier Cuesta Hernández, Alejandro Hernández García
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Difficult Heritage and Contact Zones: A Museum Studies Contribution to Critical Mission Studies from a Mexican Perspective
Cintia Velázquez Marroni
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Valentin Lopez, Healing, and Decolonization: Contesting Mission Bells, El Camino Real, and California Governor Newsom
Renya K. Ramirez, Valentin Lopez
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“Remarkable Native Paintings”: Indigeneity and Exhibitions of California Mission Art
Yve Chavez
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Concluding Thoughts: On Decolonizing the Study of Mission Art
Jonathan Cordero
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Book Reviews

Review: The Noisemakers: Estridentismo, Vanguardism, and Social Action in Postrevolutionary Mexico, by Lynda Klich
Dafne Cruz Porchini
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Review: New Geographies of Abstract Art in Postwar Latin America, edited by Mariola V. Alvarez and Ana M. Franco
Zanna Gilbert
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Review: Lettered Artists and the Languages of Empire: Painters and the Profession in Early Colonial Quito, by Susan Verdi Webster
Adam Herring
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Review: Framing a Lost City: Science, Photography, and the Making of Machu Picchu, by Amy Cox Hall
Joanne Pillsbury
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All Issues
Editorial Commentary: Mourning as a Form of Politics
Being a Good Father: The Politics of Care in Eugenio Derbez’s No se aceptan devoluciones
Modernity, Migration, and Defeat: The Brazilian Gaze in Noites Paraguayas during the Era of Alfredo Stroessner
Ocean, Sky, Sugar, and Spirit: The Power of Pooling in Firelei Báez’s A Drexcyen Chronocommons (To win the war you fought it sideways)
The Ordinary World of Tomoo Handa and Yoshiya Takaoka: Painting Diaspora in Japanese Brazilian Art
  • Online ISSN 2576-0947
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