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Issues

Volume 1, Issue 3
July 2019
Issue Cover
EISSN 2576-0947
Editorial Introduction
Emily A. Engel
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Editorial Comment

Diversity in Academia in a Post-Truth World
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Scholarly Essays

Flora and Fauna Otherwise: Black and Brown Aesthetics of Relation in Firelei Báez and Wangechi Mutu
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O arquivo corporal: aquarelas e graffitis de Annie Ganzala
Naomi Pueo Wood
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Spinning the Zoetrope: Visualizing the Mixed-Race Body of Dominican Actress Zoe Saldaña
Rachel Afi Quinn
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Dialogues: Addressing Diversity and Inclusion in Latin American and Latinx Art History

Dialogues: Addressing Diversity and Inclusion in Latin American and Latinx Art History
Ananda Cohen-Aponte; Elena Fitzpatrick Sifford
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Writing Art Histories From Below: A Decolonial Guanaca-Hood Perspective
Kency Cornejo
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The Hidden Costs of a Life of the Mind
Beatriz E. Balanta
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Spanish Colonial Art History and the Work of Empire
Emmanuel Ortega
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Creating Equity in Academia for Latinx Art History
Rose Salseda
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Color in the Curriculum or in Ourselves? Why I Thought I Had to Choose
Lawrence Waldron
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Critics and the Slippery Terrain of Latinx Art
Arlene Dávila
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Book Reviews

Book Review: Axis Mundo: Queer Networks in Chicano L.A. by C. Ondine Chavoya, David Evans Frantz and Macarena Gómez-Barris
Catherine S. Ramírez
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Book Review: Judith F. Baca by Anna Indych-López
Marisa Lerer
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Book Review: Abuso Mutuo by Cuauhtémoc Medina and El arte de mostrar el arte mexicano: Ensayos sobre los usos y desusos del exotismo en tiempos de globalización by Olivier Debroise
Jennifer Josten
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Book Review: Art Systems: Brazil and the 1970s by Elena Shtromberg
Natalia Brizuela
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All Issues
Mexicos and Americas
Golden Kingdoms at Getty: Going beyond Greater Mexico
Getting Community Engagement Right: Working with Transnational Indigenous Stakeholders in Oaxacalifornia
“Like the Flame of Fire”: A New Look at the “Hearst” Chalice
Artist as Witness: Débora Arango’s Images of Jorge Eliécer Gaitán and the Eruption of la Violencia in Colombia
  • Online ISSN 2576-0947
  • Copyright © 2021
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