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Volume 1, Issue 2

April 2019

EISSN 2576-0947

In this Issue

Editorial Introduction

Emily A. Engel

Editorial Comment

Thoughts from Nepantla

Articles

Blackness Distilled, Sugar and Rum: María Magdalena Campos-Pons’s Alchemy of the Soul, Elixir for the Spirits

Adriana Zavala

Mapping the Presence of Latin American Art in Canadian Museums and Universities

Alena Robin

Supplementary data

Metamorphic and Sensuous Brown Bodies: Queer Latina/x Visual and Performance Cultures in San Francisco Strip Clubs, 1960s–1970s

Gigi Otálvaro-Hormillosa

Research Note

Lessons from Pacific Standard Time: LA/LA

Elena Shtromberg; C. Ondine Chavoya

Dialogues: Contours of Practice in Colonial Artworks

Dialogues: Contours of Practice in Colonial Artworks

Guest Editor : Barbara E. Mundy

Bishop’s Miter and Infulae, a Feathered Masterpiece from Museo degli Argenti in Florence

Ellen J. Pearlstein

Codex Mendoza and the Material Agency of Indigenous Artists in Early Colonial New Spain

Davide Domenici

Cristóbal de Villalpando’s Adoration of the Magi: A Discussion of Artist Technique

Dorothy Mahon; Silvia A. Centeno; Louisa Smieska

Observations on Miguel Cabrera after the Conservation of One of His Casta Paintings

Joseph Fronek

Book Reviews

Book Review: Radical Women: Latin American Art, 1960–1985 by Cecilia Fajardo-Hill and Andrea Giunta

Ana María Reyes

Book Review: Visual Voyages: Images of Latin American Nature from Columbus to Darwin by Daniela Bleichmar

Amy Buono

Book Review: Golden Kingdoms: Luxury Arts in the Ancient Americas by Joanne Pillsbury, Timothy Potts and Kim N. Richter

Julia Guernsey

Book Review: A Library for the Americas: The Nettie Lee Benson Latin American Collection by Julianne Gilland and José Montelongo

Rosario Inés Granados

Book Review: Imagining the Americas in Medici Florence by Lia Markey

Sean Roberts

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Strategies for Combating Erasure and Silencing: An Interview with Suhaly Bautista-Carolina

History, Memory, and Imprint

Afro-Latinx at NYU: How Multiple Facets of Black Latinidad Are Claiming Space within Visual Culture

From Courtesan to Saint: Embodied Female Space in Juan Correa's The Conversion of St. Mary Magdalene

The Love Story against Displacement

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