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Issues

Volume 1, Issue 2
April 2019
Issue Cover
EISSN 2576-0947

Editorial Introduction
Emily A. Engel
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Editorial Comment

Thoughts from Nepantla
Charlene Villaseñor Black
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Articles

Blackness Distilled, Sugar and Rum: María Magdalena Campos-Pons’s Alchemy of the Soul, Elixir for the Spirits
Adriana Zavala
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Mapping the Presence of Latin American Art in Canadian Museums and Universities
Alena Robin
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Supplementary data
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Metamorphic and Sensuous Brown Bodies: Queer Latina/x Visual and Performance Cultures in San Francisco Strip Clubs, 1960s–1970s
Gigi Otálvaro-Hormillosa
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Research Note

Lessons from Pacific Standard Time: LA/LA
Elena Shtromberg; C. Ondine Chavoya
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Dialogues: Contours of Practice in Colonial Artworks

Dialogues: Contours of Practice in Colonial Artworks
Barbara E. Mundy
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Bishop’s Miter and Infulae, a Feathered Masterpiece from Museo degli Argenti in Florence
Ellen J. Pearlstein
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Codex Mendoza and the Material Agency of Indigenous Artists in Early Colonial New Spain
Davide Domenici
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Cristóbal de Villalpando’s Adoration of the Magi: A Discussion of Artist Technique
Dorothy Mahon; Silvia A. Centeno; Louisa Smieska
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Observations on Miguel Cabrera after the Conservation of One of His Casta Paintings
Joseph Fronek
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Book Reviews

Book Review: Radical Women: Latin American Art, 1960–1985 by Cecilia Fajardo-Hill and Andrea Giunta
Ana María Reyes
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Book Review: Visual Voyages: Images of Latin American Nature from Columbus to Darwin by Daniela Bleichmar
Amy Buono
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Book Review: Golden Kingdoms: Luxury Arts in the Ancient Americas by Joanne Pillsbury, Timothy Potts and Kim N. Richter
Julia Guernsey
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Book Review: A Library for the Americas: The Nettie Lee Benson Latin American Collection by Julianne Gilland and José Montelongo
Rosario Inés Granados
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Book Review: Imagining the Americas in Medici Florence by Lia Markey
Sean Roberts
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All Issues
Crowned Not Bound: Context and Iconography of Chacmool Sculptures at Tula
Hubristic Hydraulics: Water, Dictatorship, and Modernity in the Dominican Republic
“We Didn't Cross the Border, the Border Crossed Us”: Artists' Images of the US-Mexico Border and Immigration
Em transe-to: os deslocamentos pelo espaço urbano nos filmes Castro e El asaltante
Construcción y persuasión: El VIII Congreso Panamericano de Arquitectos en México como plataforma política
  • Online ISSN 2576-0947
  • Copyright © 2020
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