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Volume 1, Issue 2
April 2019
Latin American and Latinx Visual Culture Cover Image for Volume 1, Issue 2
EISSN 2576-0947
In this Issue
Editorial Introduction
Emily A. Engel
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Editorial Comment
Thoughts from Nepantla
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Articles
Blackness Distilled, Sugar and Rum: María Magdalena Campos-Pons’s Alchemy of the Soul, Elixir for the Spirits
Adriana Zavala
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Mapping the Presence of Latin American Art in Canadian Museums and Universities
Alena Robin
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Supplementary data
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Metamorphic and Sensuous Brown Bodies: Queer Latina/x Visual and Performance Cultures in San Francisco Strip Clubs, 1960s–1970s
Gigi Otálvaro-Hormillosa
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Research Note
Lessons from Pacific Standard Time: LA/LA
Elena Shtromberg, C. Ondine Chavoya
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Dialogues: Contours of Practice in Colonial Artworks
Dialogues: Contours of Practice in Colonial Artworks
Guest Editor : Barbara E. Mundy
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Bishop’s Miter and Infulae, a Feathered Masterpiece from Museo degli Argenti in Florence
Ellen J. Pearlstein
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Codex Mendoza and the Material Agency of Indigenous Artists in Early Colonial New Spain
Davide Domenici
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Cristóbal de Villalpando’s Adoration of the Magi: A Discussion of Artist Technique
Dorothy Mahon, Silvia A. Centeno, Louisa Smieska
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Observations on Miguel Cabrera after the Conservation of One of His Casta Paintings
Joseph Fronek
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Book Reviews
Book Review: Radical Women: Latin American Art, 1960–1985 by Cecilia Fajardo-Hill and Andrea Giunta
Ana María Reyes
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Book Review: Visual Voyages: Images of Latin American Nature from Columbus to Darwin by Daniela Bleichmar
Amy Buono
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Book Review: Golden Kingdoms: Luxury Arts in the Ancient Americas by Joanne Pillsbury, Timothy Potts and Kim N. Richter
Julia Guernsey
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Book Review: A Library for the Americas: The Nettie Lee Benson Latin American Collection by Julianne Gilland and José Montelongo
Rosario Inés Granados
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Book Review: Imagining the Americas in Medici Florence by Lia Markey
Sean Roberts
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All Issues
Editorial Commentary: Mourning as a Form of Politics
Being a Good Father: The Politics of Care in Eugenio Derbez’s No se aceptan devoluciones
Modernity, Migration, and Defeat: The Brazilian Gaze in Noites Paraguayas during the Era of Alfredo Stroessner
Ocean, Sky, Sugar, and Spirit: The Power of Pooling in Firelei Báez’s A Drexcyen Chronocommons (To win the war you fought it sideways)
The Ordinary World of Tomoo Handa and Yoshiya Takaoka: Painting Diaspora in Japanese Brazilian Art
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