Latin American and Latinx Visual Culture makes the following correction to Catherine S. Ramírez's, review of Axis Mundo: Queer Networks in Chicano L.A., by C. Ondine Chavoya and David Evans Frantz, with Macarena Gómez-Barris, (Latin American and Latinx Visual Culture, 2019 Vol. 1, Number 3, pp. 101–102 DOI: https://doi.org/10.1525/lavc.2019.130007):

On p. 102 the second-to-last paragraph is corrected to: “ Although Axis Mundo “takes its cues from, but flips the script on, exhibitions that seek to chart the circle of lesser-known artists surrounding a more lauded figure,” certain artists—namely, Meza, Roberto Gil de Montes, Navarro, Sandoval, Terrill, Vargas, Velázquez, and the group Les Petites Bonbons—come to the forefront (p.25). All...

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