Welcome to Latin American and Latinx Visual Culture, the first peer-reviewed academic journal dedicated to visual and material cultures in Mexico, Central America, South America, the Caribbean, the United States, and those in diaspora, published by the University of California Press. Its geographical scope and chronological span are wide-ranging and encompassing. LALVC publishes scholarship from the ancient Americas to the contemporary moment. For the first time, scholars working in these areas have a venue for publishing the latest research in art history, design, material culture, architecture, film, media, performance art, museum studies, popular culture, fashion, public art, and artivism. With the recent spectacular growth in research and exhibitions on Latin...
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January 2019
Editorial|
January 01 2019
Latin American and Latinx Futurities: Publishing Visual Culture in the Twenty-First Century
Charlene Villaseñor Black—is a professor of art history and Chicana/o studies at the University of California, Los Angeles. She authored Creating the Cult of St. Joseph: Art and Gender in the Spanish Empire (Princeton University Press, 2006) and edited Tradition and Transformation: Chicana/o Art from the 1970s through the 1990s (University of Washington Press, 2015).
Emily A. Engel—is an independent scholar based in Southern California who has published on visual culture in early modern South America. She coedited Manuscript Cultures of Colonial Mexico and Peru: New Questions and Approaches (Getty Publications, 2015) and A Companion to Early Modern Lima (Brill, 2019).
Latin American and Latinx Visual Culture (2019) 1 (1): 3–6.
Citation
Charlene Villaseñor Black, Emily A. Engel; Latin American and Latinx Futurities: Publishing Visual Culture in the Twenty-First Century. Latin American and Latinx Visual Culture 1 January 2019; 1 (1): 3–6. doi: https://doi.org/10.1525/lavc.2019.000002
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