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Graph of mean attitude to the medievalist game and reconstructed music cond...
Published: 01 April 2023
Figure 2. Graph of mean attitude to the medievalist game and reconstructed music conditions by hours per week spent playing computer games, showing contrary tendencies (N = 110). Spearman’s correlation coefficient for hours of gameplay and attitudes to medievalist game music was r s = 0.7 and f... More about this image found in Graph of mean attitude to the medievalist game and reconstructed music cond...
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The first pulse channel from “Bloody Tears” from  Castlevania II: Simon’s Q...
Published: 01 April 2023
Example 2A. The first pulse channel from “Bloody Tears” from Castlevania II: Simon’s Quest by Kenichi Matsubara and Satoe Terashima evokes a common Baroque technique by alternating between melody notes and a pedal point. More about this image found in The first pulse channel from “Bloody Tears” from Castlevania II: Simon’s Q...
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The opening motif in “Bloody Tears” features quick octave jumps at the atta...
Published: 01 April 2023
Example 2B. The opening motif in “Bloody Tears” features quick octave jumps at the attack of most of the notes, as indicated by the pitch and its respective octave in the column second from the left. The one exception (the lone F4) may just be an oversight. (This screenshot was taken after the gam... More about this image found in The opening motif in “Bloody Tears” features quick octave jumps at the atta...
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Snippets of Iron Maiden songs that contain the same musical patterns as the...
Published: 01 April 2023
Example 5B. Snippets of Iron Maiden songs that contain the same musical patterns as the Mega Man example. Drums are omitted for brevity. These all use at least two of the three: harmonized electric guitars, i - ♭VI - ♭VII root movement in the bass, and/or the gallop rhythm. More about this image found in Snippets of Iron Maiden songs that contain the same musical patterns as the...
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