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Issues

Volume 5, Issue 2
Spring 2024
Issue Cover
EISSN 2578-3432
In this Issue

Articles

“Donasdogama Micma”: Garry Schyman’s Music for Dante’s Inferno (2010) and the Sound of Dante’s Divine Comedy in Video Games
Manuel Becker
View Articletitled, “Donasdogama Micma”<span class="subtitle-colon">: </span><span class="subtitle">Garry Schyman’s Music for <em>Dante’s Inferno</em> (2010) and the Sound of Dante’s <em>Divine Comedy</em> in Video Games</span>
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Kingdom Come: Deliverance and the Aesthetics of Authenticity
James Cook
View Articletitled, <em>Kingdom Come: Deliverance</em> and the Aesthetics of Authenticity<sup></sup>
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Meaningful Grunts and Radical “Blehs”: Polysemic Identities through Nonhuman Noise in Video Games
Juan F. Belmonte-Ávila
View Articletitled, Meaningful Grunts and Radical “Blehs”<span class="subtitle-colon">: </span><span class="subtitle">Polysemic Identities through Nonhuman Noise in Video Games</span>
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A Comparison of the Effect of Sound on Players’ Presence Between VR and Screen-Based Media
Tomáš Oramus, Petr Neubauer
View Articletitled, A Comparison of the Effect of Sound on Players’ Presence Between VR and Screen-Based Media
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Early Discourse About Video Game Music in Japan: Children’s Music, Electronic Bleeps, and the Legitimization of a Genre
Lasse Lehtonen
View Articletitled, Early Discourse About Video Game Music in Japan<span class="subtitle-colon">: </span><span class="subtitle">Children’s Music, Electronic Bleeps, and the Legitimization of a Genre</span>
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“Press Start” Special Series Essay

Collection Development and Acquisitions of Video Game Music at the University of North Texas
Sabino Fernandez
View Articletitled, Collection Development and Acquisitions of Video Game Music at the University of North Texas
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Review

Review: Authenticity in the Music of Video Games, by Stephanie Lind
Will Farmer
View Articletitled, Review: <em>Authenticity in the Music of Video Games</em>, by Stephanie Lind
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All Issues
  • Online ISSN 2578-3432
  • Copyright © 2025 Society for the Study of Sound and Music in Games. All rights reserved.
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