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Issues

Volume 1, Issue 1
January 2020
Issue Cover
EISSN 2578-3432

THE EDITOR

Editorial Introduction
Stephen Baysted
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ARTICLES

Battle Hymn of the God-Slayers: Troping Rock and Sacred Music Topics in Xenoblade Chronicles
Thomas B. Yee
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Gray Areas: Analyzing Navigable Narratives in the Not-So-Uncanny Valley Between Soundwalks, Video Games, and Literary Computer Games
Elizabeth Hambleton
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The 1-Bit Instrument: The Fundamentals of 1-Bit Synthesis, Their Implementational Implications, and Instrumental Possibilities
Blake Troise
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COLLOQUY: CANONS OF GAME MUSIC AND SOUND

Rewritable Memory: Concerts, Canons, and Game Music History
William Gibbons
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On Canons as Music and Muse
Julianne Grasso
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The Difficult, Uncomfortable, and Imperative Conversations Needed in Game Music and Sound Studies
Hyeonjin Park
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Canon Anxiety?
Karen M. Cook
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INVITED CONTRIBUTIONS

Game Sound: Reverberations
Karen Collins
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Ludomusicology and the New Drastic
Isabella Van Elferen
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BOOK REVIEWS

Unlimited Replays: Video Games and Classical Music, by William Gibbons
Jonathan Godsall
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The Problem with Players: A Response to Jonathan Godsall
William Gibbons
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Bits and Pieces: A History of Chiptunes, by Kenneth B. McAlpine
Peter Smucker
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A Response to Peter Smucker
Kenneth McAlpine
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A Ludomusicologist Goes to the Museum: A Review of Videogames: Design/Play/Disrupt at the Victoria and Albert Museum
Martine Mussies
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All Issues
Exploring the Narrative Implications of Emerging Topics in The Legend of Zelda: Breath of the Wild
The Musical Butterfly Effect in Until Dawn
“Wear People’s Faces”: Semiotic Awareness in Fan Adaptations of the Music from The Legend of Zelda: Majora’s Mask
Review: Music in the Role-Playing Game: Heroes and Harmonies, edited by William Gibbons and Steven Reale
On the Roll of the Editor: A Response to Barnabas G. Smith
  • Online ISSN 2578-3432
  • Copyright © 2020 Society for the Study of Sound and Music in Games. All rights reserved.
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