In 2021, I joined the Art Institute of Chicago as the John H. Bryan Chair and Curator of Architecture and Design. The curatorial department that I lead is one of few in the United States dedicated to the intertwined fields of architecture and design; it is one of even fewer situated within an “encyclopedic” museum that spans historical periods, geographies, and media. As incoming chair, I sharpened and expanded the priorities and goals of our department: to support narratives and voices that have been historically neglected and systemically silenced; to enrich and complicate histories of architecture and design in Chicago while also situating this local cultural production within a global network of discourses and practices; to address pressing contemporary issues, from climate change and social justice to new technologies and political transformations; and to champion emerging artists, architects, and designers whose creativity and critical thinking have the capacity to shift...
Curators’ Voices: Curating as Collaborative Practice Available to Purchase
Editor’s note: This is a new installment of Curators’ Voices, following a series of essays initiated by JSAH’s previous exhibition review editor, Patricio del Real, to present the perspectives of curators on their work in exhibition conceptualization and implementation. This essay by Irene Sunwoo explores the creative dimensions and public responsibilities of curatorial practices for architecture and the built environment in a time of climate change, technological revolution, and political division. The contingencies of these concurrent challenges affect the very constitution of the communities that museums and exhibitions are supposed to serve. Part of the work of the curator of architecture is to steer cultural institutions and their programs in addressing these new contingencies, which also affect the practice, history, and theory of architecture. Sunwoo suggests that new approaches that foster greater inclusivity, accessibility, diversity, and engagement with marginalized communities may involve an open-ended framework for architecture as world making and a collaborative working method that enhances the experiences of museum staff, exhibition designers and producers, featured artists and architects, and museum visitors.
VANESSA GROSSMAN
Exhibition Review Editor, JSAH
Irene Sunwoo; Curators’ Voices: Curating as Collaborative Practice. Journal of the Society of Architectural Historians 1 June 2025; 84 (2): 281–286. doi: https://doi.org/10.1525/jsah.2025.84.2.281
Download citation file: