Until recently critical discussions of architectural ornament were generally to be found in writings about nineteenth-century and/or Islamic architecture. Still riding the contemporary wave of interest in ornament and its relationship to architectural form, Paul Dobraszczyk's Iron, Ornament and Architecture in Victorian Britain offers the reader new perspectives on a historical moment of the nineteenth century that is curiously apposite to architects and theorists today.1 One aspect of the resurgence of this interest is carefully detailed and chronicled in Dobraszczyk's comprehensive study of Victorian Britain's experience with iron as the first truly modern building material. Dobraszczyk articulates a technological experience for Victorian architects that is analogous to...
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September 2016
Book Review|
September 01 2016
Review: Iron, Ornament and Architecture in Victorian Britain: Myth and Modernity, Excess and Enchantment, by Paul Dobraszczyk
Paul Dobraszczyk
Iron, Ornament and Architecture in Victorian Britain: Myth and Modernity, Excess and Enchantment
Farnham, England
: Ashgate
, 2014
, 310 pp., 16 color and 153 b/w illus. $124.95, ISBN 9781472418982
Christian A. Hedrick
Christian A. Hedrick
Massachusetts Institute of Technology
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Journal of the Society of Architectural Historians (2016) 75 (3): 370–372.
Citation
Christian A. Hedrick; Review: Iron, Ornament and Architecture in Victorian Britain: Myth and Modernity, Excess and Enchantment, by Paul Dobraszczyk. Journal of the Society of Architectural Historians 1 September 2016; 75 (3): 370–372. doi: https://doi.org/10.1525/jsah.2016.75.3.370
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