A rich selection of images greeted visitors to the Museum of the City of New York from 5 December 2012 to 31 March 2013. Hints of American fairs’ modernist glamor shown in scenic renderings in the entrance hall forecast more pictures in the main display room. On the perimeter walls of a large gallery, black-and-white photographs illustrated American fairs of the 1930s: Chicago’s Century of Progress (1934–34), San Diego’s California Pacific International Exposition (1935–36), Dallas’s Texas Centennial Exposition (1936), Cleveland’s Great Lakes Exposition (1936–37), San Francisco’s Golden Gate International Exposition, and New York City’s World of Tomorrow (both 1939–40). On intermediate partitions, visitors saw renderings of vistas and individual pavilions, objects displayed at the fairs, and advertisements for sponsors’ products. Here and there, they paused to see short news and commercial films, although in the well-filled room, no seats could be provided. Souvenir brochures, booklets, catalogs, and commemorative trinkets appeared...
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December 2013
Book Review|
December 01 2013
Review: Designing Tomorrow: America’s World’s Fairs of the 1930s and Designing Tomorrow: America’s World’s Fairs of the 1930s
Designing Tomorrow: America’s World’s Fairs of the 1930s
National Building Museum, Washington, D.C. 2 October 2010–10 July 2011Museum of the City of New York, New York 5 December 2012–31 March 2013
Carol Herselle Krinsky
Carol Herselle Krinsky
1New York University
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Journal of the Society of Architectural Historians (2013) 72 (4): 604–606.
Citation
Carol Herselle Krinsky; Review: Designing Tomorrow: America’s World’s Fairs of the 1930s and Designing Tomorrow: America’s World’s Fairs of the 1930s. Journal of the Society of Architectural Historians 1 December 2013; 72 (4): 604–606. doi: https://doi.org/10.1525/jsah.2013.72.4.604
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