Gothic architecture, revived and decorated with motifs borrowed from folk art, provided the foundation for the creation of a Croatian national style in the last quarter of the nineteenth century. Dragan Damjanović explains how the Viennese architect Friedrich Schmidt and his student and collaborator Herman Bollé created the signature architecture of this movement, the brilliantly colored and boldly patterned tile roofs of St. Mark's church (restored 1875–82), Zagreb cathedral (restored 1878–1902), and the church of the Blessed Virgin Mary in Marija Bistrica (restored 1878–85). In Polychrome Roof Tiles and National Style in Nineteenth-century Croatia, this architecture is placed in the context of the Gothic Revival in the Austro-Hungarian monarchy and the collecting and analysis of traditional textiles by the amateur ethnographer Felix (Srećko) Lay.
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Research Article| December 01 2011
Polychrome Roof Tiles and National Style in Nineteenth-century Croatia
Journal of the Society of Architectural Historians (2011) 70 (4): 466–491.
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Dragan Damjanović; Polychrome Roof Tiles and National Style in Nineteenth-century Croatia. Journal of the Society of Architectural Historians 1 December 2011; 70 (4): 466–491. doi: https://doi.org/10.1525/jsah.2011.70.4.466
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