“Strangeness” (xii), “capricious,” “dreadful shock,” “transformation,” “startling assembly of incongruities”: theorists and scholars from the early nineteenth-century John Soane to, more recently, Mark Girouard have found themselves oddly perplexed as they examine Elizabethan architecture.1 It is a world, a society, and a set of ideas difficult to pin down, never stationary—“transforming” at a “capricious” and unpredictable whim. A building might seem an easily comprehensible block, yet suddenly a ray of sun reflects blindingly off a large window and repulses the viewer's eye. Symmetry might suggest regularly organized living spaces and so comprehensible patterns of daily life, but building plans can be puzzling symbols into which interior rooms are then compressed. Physically and intellectually, Elizabethan buildings slip from the viewer's grasp. Nineteenth-century authors time and again sought to codify an Elizabethan style, yet they could at best say what it was...
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June 2011
Book Review|
June 01 2011
Review: Elizabethan Architecture: Its Rise and Fall, 1540–1640 by Mark Girouard
Mark
Girouard
Elizabethan Architecture: Its Rise and Fall, 1540–1640
. New Haven and London
: Yale University Press
, 2009
, 530
pp., 338 color and 226 b/w illus. $65, ISBN
9780300093865
Kimberley Skelton
Kimberley Skelton
Milford, Conn.
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Journal of the Society of Architectural Historians (2011) 70 (2): 252–253.
Citation
Kimberley Skelton; Review: Elizabethan Architecture: Its Rise and Fall, 1540–1640 by Mark Girouard. Journal of the Society of Architectural Historians 1 June 2011; 70 (2): 252–253. doi: https://doi.org/10.1525/jsah.2011.70.2.252
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