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Journal of Popular Music Studies (2021) 33 (2): 77–98.
Published: 01 June 2021
... the process of staging an Analogues performance. It argues that the Analogues’ approach to historical recreation allows them to transcend criticism typically aimed at tributes and, paradoxically, lay claim to an “authentic” performance of what is inherently inauthentic, a live imitation of a recording...
Journal of Popular Music Studies (2020) 32 (3): 99–119.
Published: 27 August 2020
...Michail Exarchos (aka Stereo Mike) Rap, the musical element of hip hop culture, has depended on the recorded past to shape its birth, present and, potentially, its future. Founded on a sample-based methodology, the style’s perceived authenticity and sonic impact are largely attributed to the use...
Journal of Popular Music Studies (2020) 32 (1): 106–122.
Published: 01 March 2020
...Heidi Mau; Cheryl L. Nicholas This study explores the construction of “authenticity” and related identity-competencies in popular electronic music through an investigation of the music group Ladytron during their formative first decade: 2001-2011. Textual analysis is used to examine the Ladytron...