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Journal of Popular Music Studies (2022) 34 (3): 59–79.
Published: 01 September 2022
...Owen Coggins; Molly Geidel This article investigates representations of gender and work in the hit 2016 song “Rockabye” by Clean Bandit featuring Sean Paul and Anne-Marie in relation to a new orientation toward care labor and feminine performance we call “feminist realism.” Feminist realism, we...
Journal of Popular Music Studies (2022) 34 (1): 141–166.
Published: 01 March 2022
..., and the erratic temporality of syndication—provide the potential for a counter-reading of his efforts. © 2022 by the International Association for the Study of Popular Music, U.S. Branch (IASPM-US) 2022 Lawrence Welk sweet band jazz big band music family gender capitalism work labor neoliberalism...
Journal of Popular Music Studies (2019) 31 (3): 119–144.
Published: 03 September 2019
... with professional teachers in participatory carnival ensembles ( blocos ). In probing teachers’ “pedagogical labor,” this article portrays oficinas as comprising a “capitalist participatory music industry.” By offering a case study on a carnival brass band community turned activist musical movement whose growth has...
Journal of Popular Music Studies (2019) 31 (2): 85–106.
Published: 02 June 2019
... women’s ability to participate equitably in touring, specifically (1) that the job is a backroad for so-called “groupies” and romantic partners to gain illicit access; (2) that the merch table labor is gendered; and (3) that women’s place within live music itself is resultingly precarious. This rhetoric...