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Journal Articles
Journal of Popular Music Studies. 2019; 31395–118 doi: https://doi.org/10.1525/jpms.2019.313010
Published: 03 September 2019
...Sean Lorre Retrospectively referred to as blue beat, “Jamaican rhythm and blues” (JA-R&B) was one of many R&B styles performed and consumed in the UK during the early 1960s. Despite the genre’s importance to African-Caribbean migrant communities, urban subcultures, and, eventually...
Journal Articles
Journal of Popular Music Studies. 2020; 321106–122 doi: https://doi.org/10.1525/jpms.2020.32.1.106
Published: 01 March 2020
... founded in 1984 by Terry McBride, Mark Jowett, and Ric Arboit in McBride's small Vancouver apartment, initially to release albums by Jowett's band Moev. Additional branches of Nettwerk exist in New York city, Los Angeles, London, UK, Boston, Nashville, and Hamburg, Germany. 5 Ladytron's...
Journal Articles
Journal of Popular Music Studies. 2020; 32178–105 doi: https://doi.org/10.1525/jpms.2020.32.1.78
Published: 01 March 2020
Journal Articles
Journal of Popular Music Studies. 2019; 3141–2 doi: https://doi.org/10.1525/jpms.2019.31.4.1
Published: 01 December 2019
... Christian popular music in the US, Canada, and the UK, and examine issues from the perspectives of musicians, congregations, and critical social theorists, and thus provide an evocative snapshot of this subfield of popular music studies. D. Gilson reviews former JPMS co-editor Karen Tongson's Why Karen...
Journal Articles
Journal of Popular Music Studies. 2019; 314161–166 doi: https://doi.org/10.1525/jpms.2019.31.4.161
Published: 01 December 2019
... cultural proximity to the music's origin sites in North America, Australia, and the UK, Ingalls brings a crucial global awareness to discussions of this music's power. As a particular “mainstream” commercial music circulates around the globe, so, too, do the certain practices of worship and their...
Journal Articles
Journal of Popular Music Studies. 2019; 31473–94 doi: https://doi.org/10.1525/jpms.2019.31.4.73
Published: 01 December 2019
...: A Critical Reader , ed. Patrick Campbell (Manchester, UK: Manchester University Press, 1996), 219, italics in original. 9. Moore, “Authenticity as Authentication,” 210. 10. Ibid., 210, italics in original. 11. Ibid., 214. 12. Ibid., 218. 13. Ibid., 218. 14. Ibid., 220...
Journal Articles
Journal of Popular Music Studies. 2019; 31432–50 doi: https://doi.org/10.1525/jpms.2019.31.4.32
Published: 01 December 2019
... overstaying his visa, Amy Coddington showed that even ICE, in pointing out that the UK citizen was in a sense playing the role of an Atlanta street rapper, relied on an “antiquated notion of hip hop's realness.” “Listeners didn't care whether 21 [Savage's] story was real,” she claimed, “only that the...
Journal Articles
Journal of Popular Music Studies. 2019; 313167–168 doi: https://doi.org/10.1525/jpms.2019.313017
Published: 03 September 2019
..., https://www.ucpress.edu/journals/reprints-permissions . 2019 Paul Watt , Derek B. Scott , and Patrick Spedding , eds. Cheap Print and Popular Song in the Nineteenth Century: A Cultural History of the Songster . Cambridge, UK : Cambridge University Press , 2017 . 250 pages. Songsters...
Journal Articles
Journal of Popular Music Studies. 2019; 313119–144 doi: https://doi.org/10.1525/jpms.2019.313011
Published: 03 September 2019
... Music, and Race in America (Princeton: Princeton University Press, 2010). 23. Matthew Gelbart, The Invention of “Folk Music” and “Art Music:” Emerging Categories from Ossian to Wagner, (Cambridge, UK: Cambridge University Press, 2007). 24. Lydia Goehr, The Imaginary Museum of Musical Works...
Journal Articles
Journal of Popular Music Studies. 2019; 31357–72 doi: https://doi.org/10.1525/jpms.2019.313008
Published: 03 September 2019
... James, Chris Jenks, and Alan Prout, Theorizing Childhood (Cambridge, UK: Polity Press, 1998). 12. James Baldwin, “Stranger in the Village,” in The Price of the Ticket: Collected Non-Fiction (New York: St. Martin’s Press, 1985), 79–90. 13. Elam, “Baldwin’s Boys,” 27. 14. Epistemological...
Journal Articles
Journal of Popular Music Studies. 2019; 31373–94 doi: https://doi.org/10.1525/jpms.2019.313009
Published: 03 September 2019
... one particularly conspicuous thread that binds together a great deal of music. 4. “Careless Whisper” was released in the USA and elsewhere as a George Michael single, and only released as a Wham! single in the UK. 5. Colloquially, CALIOPE is frequently called a “pan flute” sound, but this...
Journal Articles
Journal of Popular Music Studies. 2019; 31311–28 doi: https://doi.org/10.1525/jpms.2019.313004
Published: 03 September 2019
... gender. Bringing in diversity into the conversation, if I’m planning to go to the UK to look for a job because there is more heavy metal studies opportunities in Europe I’d like to know, like, the positionality of myself as a black woman. How is that going to factor into the job market? That is something...
Journal Articles
Journal of Popular Music Studies. 2019; 312107–126 doi: https://doi.org/10.1525/jpms.2019.312010
Published: 02 June 2019
.... 8. Stuart Hall and Tony Jefferson, eds., Resistance through Rituals: Youth Subcultures in Post-war Britain . (London: Hutchinson, 1976). 9. J. Patrick Williams, Subcultural Theory: Traditions and Concepts , (Cambridge, UK and Maden: Polity Press, 2011), 72. 10. Qiang Yang, 摇滚照耀灵魂:中国音乐...
Journal Articles
Journal of Popular Music Studies. 2019; 31251–62 doi: https://doi.org/10.1525/jpms.2019.312007
Published: 02 June 2019
..., Hants, UK: Zero Books, 2015. Chapter 4 introduces the MRWaSP framework. James’ approach resonates with Derrick Bell’s theory of interest convergence, which suggests that advances in civil rights only take place when the interests of marginalized communities align with the interests of white America. See...
Journal Articles
Journal of Popular Music Studies. 2019; 31263–84 doi: https://doi.org/10.1525/jpms.2019.312008
Published: 02 June 2019
.... Simon Frith and Simon Zagorski-Thomas . UK : Ashgate Popular and Folk Music Series , 2012 . Stoever, Jennifer Lynn . The Sonic Color Line: Race and the Cultural Politics of Listening . NYU Press , 2016 . Stras, Laurie . 2007 . “White Face, Black Voice: Race, Gender and Region in the...
Journal Articles
Journal of Popular Music Studies. 2018; 304123–142 doi: https://doi.org/10.1525/jpms.2018.300409
Published: 04 December 2018
... term “hypnagogic pop,” inspired by a comment made by James Ferraro. See Simon Reynolds, Retromania: Pop Culture’s Addiction to Its Own Past (New York: Farrar, Straus and Giroux, 2011), 345. 2. Grafton Tanner, Babbling Corpse: Vaporwave and the Commodification of Ghosts (Winchester, UK: Zero...
Journal Articles
Journal of Popular Music Studies. 2018; 304143–160 doi: https://doi.org/10.1525/jpms.2018.300410
Published: 04 December 2018
... censorship of its recordings that dealt with guerilla warfare, terrorism and violence (though Stratos noted in a 1974 interview that its songs were rarely if ever played on state radio). But at exactly the same time that “Luglio, agosto, settembre (nero)” was released in Italy, the UK group Hawkwind had an...
Journal Articles
Journal of Popular Music Studies. 2018; 304161–176 doi: https://doi.org/10.1525/jpms.2018.300411
Published: 04 December 2018
... through the University of California Press’s Reprints and Permissions web page, www.ucpress.edu/journals.php?p=reprints . 2018 Popular music lyrics data science sentiment analysis Billboard tone analyzer 1. Simon Frith et al., The Cambridge companion to pop and rock (Cambridge, UK...
Journal Articles
Journal of Popular Music Studies. 2018; 301-279–108 doi: https://doi.org/10.1525/jpms.2018.000017
Published: 01 March 2018
...-Yourself” Artwork: Participation from Fluxus to New Media . Manchester, UK : Manchester University Press , 2010 . Bithell, Caroline . A Different Voice, a Different Song: Reclaiming Community through the Natural Voice and World Song . New York : Oxford University , 2014 . Born, Georgina...
Journal Articles
Journal of Popular Music Studies. 2018; 301-2109–126 doi: https://doi.org/10.1525/jpms.2018.000009
Published: 01 March 2018
... Metal .” In Titus Hjelm , Keith Kahn-Harris and Mark LeVine , eds., Heavy Metal: Controversies and Counterculture . Sheffield UK and Bristol, CT : Equinox , 2013 . Frith, Simon . “ What is Bad Music? ” In Simon Frith , ed., Taking Popular Music Seriously: Selected Essays . Hampshire, UK...