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Amy Skjerseth

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Journal Articles
Journal of Popular Music Studies (2023) 35 (4): 14–17.
Published: 01 December 2023
...Morgan Bimm; Kate Galloway; Amy Skjerseth [email protected] [email protected] [email protected] © 2023 by the International Association for the Study of Popular Music, U.S. Branch (IASPM-US) 2023 Academic podcast studies has experienced a flurry...
Journal Articles
Journal of Popular Music Studies (2023) 35 (4): 34–53.
Published: 01 December 2023
...Amy Skjerseth Podcasts often blend journalistic investigation with personal reflection, from Serial to Switched on Pop . Their veneer of fiction-as-fact especially confounds representation when podcasts’ voice acting and sound design portray pop stars in caricatured dramatizations. This paper...
Journal Articles
Journal of Popular Music Studies (2022) 34 (3): 6–29.
Published: 01 September 2022
...Andy Kelleher Stuhl; Alexandra Hui; Alexander Russo; Amy Skjerseth So again, Muzak was founded in the early 1930s; it recorded its own music and then piped it in to these curated music programs via electrical wires to subscribers. It described itself not as entertainment. It was instead, “music...
Journal Articles
Journal of Popular Music Studies (2022) 34 (3): 1–5.
Published: 01 September 2022
..., and genre. It’s with this latter point that Amy Skjerseth closes out this panel by looking at auto-tune and the audiovisuality of Cher’s 1998 hit “Believe.” Taking seriously the longstanding critiques of “Believe” as a “gimmick” recording, Skjerseth seeks to highlight two things: 1) How “gimmick...
Journal Articles
Journal of Popular Music Studies (2023) 35 (4): 1–3.
Published: 01 December 2023
...,” edited by Morgan Bimm, Kate Galloway, and Amy Skjerseth which is on music podcasts. It features an issue introduction, five peer-reviewed articles, and a pithy response by Norma Coates. These articles are timely and touch on a variety of topics at the intersection of popular music studies and audio media...
Journal Articles
Journal of Popular Music Studies (2023) 35 (4): 18–33.
Published: 01 December 2023
... others rely on their audiences’ implicit willingness to “ride along” as they model a critical listening practice. Popular music podcasts work to place a song’s sonic features within a broader context of musical references—a move that scholars like Amy Skjerseth argue can make podcasting an inclusive...
Journal Articles
Journal of Popular Music Studies (2023) 35 (4): 54–71.
Published: 01 December 2023
... it shares Mailchimp as a sponsor and because Björk’s 2015 episode for “Stonemilker” ostensibly doubled as Sonic Symbolism ’s backdoor pilot. Sonic Symbolism best adheres to what Amy Skjerseth refers to as a “song-dissection podcast” as a distinct genre dedicated to compositional breakdowns. She cites...
Journal Articles
Journal of Popular Music Studies (2023) 35 (4): 91–110.
Published: 01 December 2023
... Amy Skjerseth refers to as “ride-along listening,” a listening technique where hosts play musical examples that isolate and compare musical features while the hosts comment instantaneously, examining the song’s production and reception and defining terminology in accessible ways for their listeners...
Journal Articles
Journal of Popular Music Studies (2023) 35 (4): 125–129.
Published: 01 December 2023
... on Pop , who, unlike music critics who preceded them, are wide-ranging in their analyses and find musical value in all of the music that they explore. In my opinion, they truly want to enhance their listeners’ experience and enjoyment of popular music and do a fine job of it. 3. Skjerseth, Amy...