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Images
in The Politics of Rammstein’s Sound: Decoding a Production Aesthetic
> Journal of Popular Music Studies
Published: 01 June 2021
Figure 1. Drums quantized rigidly to a 16 th note grid in “Waidmanns Heil” More
Images
in The Politics of Rammstein’s Sound: Decoding a Production Aesthetic
> Journal of Popular Music Studies
Published: 01 June 2021
Figure 2. Frequencies of the guitars on the left and right stereo channels More
Images
in The Politics of Rammstein’s Sound: Decoding a Production Aesthetic
> Journal of Popular Music Studies
Published: 01 June 2021
Figure 3. Frequency of the guitars (blue) and bass (orange) in the chorus of “Ich Tu Dir Weh” More
Images
in The Politics of Rammstein’s Sound: Decoding a Production Aesthetic
> Journal of Popular Music Studies
Published: 01 June 2021
Figure 4. Vocals in the sung pre-chorus of “Waidmanns Heil” More
Images
in Recreating the Beatles: The Analogues and Historically Informed Performance
> Journal of Popular Music Studies
Published: 01 June 2021
Image 1. The Analogues will use only original analog instruments, such as the harpsichord pictured to the left. (copyright by the author) More
Images
in Recreating the Beatles: The Analogues and Historically Informed Performance
> Journal of Popular Music Studies
Published: 01 June 2021
Image 2. The Analogues during a band rehearsal for their 2019 Abbey Road tour. (copyright by the author) More
Images
Published: 01 June 2021
Figure 1. Jane’s “ecstatic moment of rave.” More
Images
Published: 01 June 2021
Figure 2. “Peace Be Still,” the 1874 hymn by Horatio Palmer. More
Images
Published: 01 June 2021
Figure 2. “Peace Be Still,” the 1874 hymn by Horatio Palmer. More
Images
Published: 01 June 2021
Figure 3.1. First 32 bars of James Cleveland’s arrangement of “Peace Be Still.” More
Images
Published: 01 June 2021
Figure 3.2. Choir ascent of James Cleveland’s arrangement of “Peace Be Still.” More
Images
Published: 01 June 2021
Figure 4. Cleveland's progression against Palmer’s, the classical fifths, and ragtime progressions. More
Images
Published: 01 June 2021
Figure 5. “Le Freak” string ascent. More
Images
Published: 01 June 2021
Figure 6.1. “Love Injection” guitar riff. More
Images
Published: 01 June 2021
Figure 6.2. “Love Injection” first vamp. More
Images
Published: 01 June 2021
Figure 7. “I Will Survive” string theme with 10-7 suspensions. More
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Published: 01 June 2021
Figure 8. “Love Injection” turnaround. More
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Published: 01 June 2021
Figure 9. “Love Injection” ascending sequence. More
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Published: 01 June 2021
Figure 10.1. “See the Light” C minor part. More
Images
Published: 01 June 2021
Figure 10.2. “See the Light” lydian anthem. More
