Search Results | Journal of Popular Music Studies | University of California Press

Figure 2. Janet Jackson’s “Rhythm Nation” performance facilitates a call and response to end racial injustice. Still from NFL Super Bowl XXXVIII on CBS, 2004. More

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Madonna’s halftime finale. Still from NFL Super Bowl XLVI on NBC Universal,...

in “Let’s Get Loud”: Sounding Subversive Bodies at the Super Bowl > Journal of Popular Music Studies

Published: 01 June 2022

Figure 3. Madonna’s halftime finale. Still from NFL Super Bowl XLVI on NBC Universal, 2012. More

Images

Beyoncé and her entourage pay homage to Black civil rights leaders. Still f...

in “Let’s Get Loud”: Sounding Subversive Bodies at the Super Bowl > Journal of Popular Music Studies

Published: 01 June 2022

Figure 4. Beyoncé and her entourage pay homage to Black civil rights leaders. Still from NFL Super Bowl L on CBS, 2016. More

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Shakira and Jennifer Lopez encourage women to speak out about incarcerated ...

in “Let’s Get Loud”: Sounding Subversive Bodies at the Super Bowl > Journal of Popular Music Studies

Published: 01 June 2022

Figure 5. Shakira and Jennifer Lopez encourage women to speak out about incarcerated immigrant children. Still from NFL Super Bowl LIV on FOX, 2020. More

Journal Articles

Baking Bread and Burning Rainbows: Mister D., Hip-Hop, and the Critical Sampling of Polish Culture

Alena Gray Aniskiewicz

Journal of Popular Music Studies (2022) 34 (1): 68–89.

DOI: https://doi.org/10.1525/jpms.2022.34.1.68

Published: 01 March 2022

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Journal Articles

Functions of Expressive Timing in Hip-Hop Flow

Ben Duinker

Journal of Popular Music Studies (2022) 34 (1): 90–117.

DOI: https://doi.org/10.1525/jpms.2022.34.1.90

Published: 01 March 2022

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Journal Articles

Lawrence Welk: Champagne Music, Ovaltine Politics

Bradley Rogers

Journal of Popular Music Studies (2022) 34 (1): 141–166.

DOI: https://doi.org/10.1525/jpms.2022.34.1.141

Published: 01 March 2022

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Editors’ Note

“Let’s Get Loud”: Sounding Subversive Bodies at the Super Bowl

Review: Rock Star / Movie Star: Power and Performance in Cinematic Rock Stardom , by Landon Palmer

Review: Fictional Blues: Narrative Self-Invention from Bessie Smith to Jack White , by Kimberly Mack

Review: Why Bushwick Bill Matters , by Charles L. Hughes

Contributors’ Notes

The Borrowings of Bob Miller, Hillbilly Music’s Premier Event Songwriter

#1plus1plus1is3: Transcripts from a Virtual Symposium on Iconic Prince Albums

Trouble Every Day: White Allyship and the “Sunset Strip Riots,” 1966

Lucha Reyes: a reflection in music

Searching for Similarity: Confirmation Bias in Forensic Analyses of Popular Music

Transcriptions of ‘I Won’t Back Down’ and ‘Stay With Me’.

Faith Hill sings the opening montage for Super Bowl XLVI. Still from NFL Su...

Janet Jackson’s “Rhythm Nation” performance facilitates a call and response...

Madonna’s halftime finale. Still from NFL Super Bowl XLVI on NBC Universal,...

Beyoncé and her entourage pay homage to Black civil rights leaders. Still f...

Shakira and Jennifer Lopez encourage women to speak out about incarcerated ...

Baking Bread and Burning Rainbows: Mister D., Hip-Hop, and the Critical Sampling of Polish Culture

Functions of Expressive Timing in Hip-Hop Flow

Lawrence Welk: Champagne Music, Ovaltine Politics

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