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Journal Articles
Journal:
Journal of Popular Music Studies
Journal of Popular Music Studies (2022) 34 (2): 1–4.
Published: 01 June 2022
Journal Articles
Journal:
Journal of Popular Music Studies
Journal of Popular Music Studies (2022) 34 (2): 112–142.
Published: 01 June 2022
Journal Articles
Journal:
Journal of Popular Music Studies
Journal of Popular Music Studies (2022) 34 (2): 143–145.
Published: 01 June 2022
Journal Articles
Review: Fictional Blues: Narrative Self-Invention from Bessie Smith to Jack White , by Kimberly Mack
Journal:
Journal of Popular Music Studies
Journal of Popular Music Studies (2022) 34 (2): 146–148.
Published: 01 June 2022
Journal Articles
Journal:
Journal of Popular Music Studies
Journal of Popular Music Studies (2022) 34 (2): 149–151.
Published: 01 June 2022
Journal Articles
Journal:
Journal of Popular Music Studies
Journal of Popular Music Studies (2022) 34 (2): 152–153.
Published: 01 June 2022
Journal Articles
Journal:
Journal of Popular Music Studies
Journal of Popular Music Studies (2022) 34 (2): 28–50.
Published: 01 June 2022
Journal Articles
Journal:
Journal of Popular Music Studies
Journal of Popular Music Studies (2022) 34 (2): 5–27.
Published: 01 June 2022
Journal Articles
Journal:
Journal of Popular Music Studies
Journal of Popular Music Studies (2022) 34 (2): 51–68.
Published: 01 June 2022
Journal Articles
Journal:
Journal of Popular Music Studies
Journal of Popular Music Studies (2022) 34 (2): 69–90.
Published: 01 June 2022
Journal Articles
Journal:
Journal of Popular Music Studies
Journal of Popular Music Studies (2022) 34 (2): 91–111.
Published: 01 June 2022
Images
in Searching for Similarity: Confirmation Bias in Forensic Analyses of Popular Music
> Journal of Popular Music Studies
Published: 01 June 2022
Example 1. Transcriptions of ‘I Won’t Back Down’ and ‘Stay With Me’. More
Images
in “Let’s Get Loud”: Sounding Subversive Bodies at the Super Bowl
> Journal of Popular Music Studies
Published: 01 June 2022
Figure 1. Faith Hill sings the opening montage for Super Bowl XLVI. Still from NFL Super Bowl XLVI on NBC Universal, 2012. More
Images
in “Let’s Get Loud”: Sounding Subversive Bodies at the Super Bowl
> Journal of Popular Music Studies
Published: 01 June 2022
Figure 2. Janet Jackson’s “Rhythm Nation” performance facilitates a call and response to end racial injustice. Still from NFL Super Bowl XXXVIII on CBS, 2004. More
Images
in “Let’s Get Loud”: Sounding Subversive Bodies at the Super Bowl
> Journal of Popular Music Studies
Published: 01 June 2022
Figure 3. Madonna’s halftime finale. Still from NFL Super Bowl XLVI on NBC Universal, 2012. More
Images
in “Let’s Get Loud”: Sounding Subversive Bodies at the Super Bowl
> Journal of Popular Music Studies
Published: 01 June 2022
Figure 4. Beyoncé and her entourage pay homage to Black civil rights leaders. Still from NFL Super Bowl L on CBS, 2016. More
Images
in “Let’s Get Loud”: Sounding Subversive Bodies at the Super Bowl
> Journal of Popular Music Studies
Published: 01 June 2022
Figure 5. Shakira and Jennifer Lopez encourage women to speak out about incarcerated immigrant children. Still from NFL Super Bowl LIV on FOX, 2020. More
Journal Articles
Journal:
Journal of Popular Music Studies
Journal of Popular Music Studies (2022) 34 (1): 68–89.
Published: 01 March 2022
Journal Articles
Journal:
Journal of Popular Music Studies
Journal of Popular Music Studies (2022) 34 (1): 90–117.
Published: 01 March 2022
Journal Articles
Journal:
Journal of Popular Music Studies
Journal of Popular Music Studies (2022) 34 (1): 141–166.
Published: 01 March 2022