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Volume 33, Issue 4
December 2021
Issue Cover
EISSN 1533-1598

Editors’ Note

Editors’ Note
Eric Weisbard, Robin James
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Field Notes: Digital Lectures Round-Up

Digital Lectures Round-Up Introduction
Eric Weisbard
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“This audio has potential”: Platform Lip-sync on TikTok
Alexandria Arrieta
View Articletitled, “This audio has potential”<span class="subtitle-colon">: </span><span class="subtitle">Platform Lip-sync on TikTok</span>
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Plugin Cultures: The Digital Audio Workstation as Maximal Interface
Mike D’Errico
View Articletitled, Plugin Cultures<span class="subtitle-colon">: </span><span class="subtitle">The Digital Audio Workstation as Maximal Interface</span>
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Big Feelings: Feminist Affect In Indie Rock After 2000
Dan DiPiero
View Articletitled, Big Feelings<span class="subtitle-colon">: </span><span class="subtitle">Feminist Affect In Indie Rock After 2000</span>
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Conjuring the Prince Mystique
De Angela L. Duff
View Articletitled, Conjuring the Prince Mystique
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From Riperton To Tribe, and Back Again: Hip Hop Sampling’s Sonic Temporality & Resistance
Beza Fekade
View Articletitled, From Riperton To Tribe, and Back Again<span class="subtitle-colon">: </span><span class="subtitle">Hip Hop Sampling’s Sonic Temporality &amp; Resistance</span>
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The (Ho)rror of It All: Ganja & Hess, Summer Walker and the Soundtrack of Ho Ontologies
Zalika U. Ibaorimi
View Articletitled, The (Ho)rror of It All<span class="subtitle-colon">: </span><span class="subtitle">Ganja &amp; Hess, Summer Walker and the Soundtrack of Ho Ontologies</span>
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Industrial Hip Hop Against Hip Hop Industry: The Critical Noise of XXX
Pil Ho Kim, Wonseok Lee
View Articletitled, Industrial Hip Hop Against Hip Hop Industry<span class="subtitle-colon">: </span><span class="subtitle">The Critical Noise of XXX</span>
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“I am no longer afraid”: A Case Study on the Musical Communication of Trauma in Narrative Film and Television
James Denis Mc Glynn
View Articletitled, “I am no longer afraid”<span class="subtitle-colon">: </span><span class="subtitle">A Case Study on the Musical Communication of Trauma in Narrative Film and Television</span>
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Laurie Anderson’s Transmedia Storytelling
John McGrath
View Articletitled, Laurie Anderson’s Transmedia Storytelling
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She Put Her Foot In It: Visualizing the Assertion of Willpower
Kwabena Slaughter
View Articletitled, She Put Her Foot In It<span class="subtitle-colon">: </span><span class="subtitle">Visualizing the Assertion of Willpower</span>
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Who Dat? Music, Media and the (Re)Defined Spirit Nation
Sarah Suhadolnik
View Articletitled, Who Dat? Music, Media and the (Re)Defined Spirit Nation
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Articles: Soundscapes of American Gentrification

Introduction: Soundscapes of American Gentrification
Christina Zanfagna, Alex Werth
View Articletitled, Introduction<span class="subtitle-colon">: </span><span class="subtitle">Soundscapes of American Gentrification</span>
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Before BBQ Becky: Racial Reverberations at Oakland’s Lake Merritt
Alex Werth
View Articletitled, Before BBQ Becky<span class="subtitle-colon">: </span><span class="subtitle">Racial Reverberations at Oakland’s Lake Merritt</span>
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Plainly Audible: Listening Intersectionally to the Amplified Noise Act in Washington, DC
Alison Martin
View Articletitled, Plainly Audible<span class="subtitle-colon">: </span><span class="subtitle">Listening Intersectionally to the Amplified Noise Act in Washington, DC</span>
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Jotería Listening: Sonic Trails and Collective Musical Playlists as Resistance to Gentrification in Silver Lake
Eddy Francisco Alvarez, Jr.
View Articletitled, Jotería Listening<span class="subtitle-colon">: </span><span class="subtitle">Sonic Trails and Collective Musical Playlists as Resistance to Gentrification in Silver Lake</span>
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“You're Only Ever A Block From The ‘Hood”: Hip-Hop and Spatial Reorientation in Detroit, Michigan
Alex Blue V
View Articletitled, “You're Only Ever A Block From The ‘Hood”<span class="subtitle-colon">: </span><span class="subtitle">Hip-Hop and Spatial Reorientation in Detroit, Michigan</span>
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“Like a Cosmic, Invisible Umbilical Cord”: Soul Summit and the Haptic Arrangements of Black Social Life
Kavita Kulkarni
View Articletitled, “Like a Cosmic, Invisible Umbilical Cord”<span class="subtitle-colon">: </span><span class="subtitle">Soul Summit and the Haptic Arrangements of Black Social Life</span>
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Book Reviews

Review essay: Between the Material and the Ephemeral
Steve Waksman
View Articletitled, Review essay: Between the Material and the Ephemeral
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Review: Liner Notes for the Revolution: The Intellectual Life of Black Feminist Sound, by Daphne A. Brooks
Francesca T. Royster
View Articletitled, Review: <em>Liner Notes for the Revolution: The Intellectual Life of Black Feminist Sound</em>, by Daphne A. Brooks
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Review: Can’t Slow Down: How 1984 Became Pop’s Blockbuster Year, by Michaelangelo Matos
Theo Cateforis
View Articletitled, Review: <em>Can’t Slow Down: How 1984 Became Pop’s Blockbuster Year</em>, by Michaelangelo Matos
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Review: Soundworks: Race, Sound, and Poetry in Production, by Anthony Reed
Dan DiPiero
View Articletitled, Review: <em>Soundworks: Race, Sound, and Poetry in Production</em>, by Anthony Reed
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Review: Songbooks: The Literature of American Popular Music, by Eric Weisbard
Jack Hamilton
View Articletitled, Review: <em>Songbooks: The Literature of American Popular Music</em>, by Eric Weisbard
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Review: Music by Numbers: The Use and Abuse of Statistics in the Music Industries, by Richard Osborne and Dave Laing
Robert Prey
View Articletitled, Review: <em>Music by Numbers: The Use and Abuse of Statistics in the Music Industries</em>, by Richard Osborne and Dave Laing
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Contributors’ Notes

Contributors’ Notes
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All Issues
Indie Rock’s Undead: Re-animating Keith Harris’s “Did New York Kill Indie Rock?”
A Response to Robin James’s “Indie Rock’s Undead: Re-Animating Keith Harris’s ‘Did New York Kill Indie Rock?’”
Contributors’ Notes
Review: No Machos Or Pop Stars: When the Leeds Art Experiment Went Punk, by Gavin Butt
Review: There is a Disco Ball Between Us: A Theory of Black Gay Life, by Jafari S. Allen
  • Online ISSN 1533-1598
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