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Volume 33, Issue 3
September 2021
Issue Cover
EISSN 1533-1598

Editors’ Note

Editors’ Note
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Field Notes: LP Keywords

LP Keywords Editors’ Note
Sara Marcus
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Tracking Changes and Changing Tracks: Looking Backward and Forward at a Journal’s Founding
Steve Jones
View Articletitled, Tracking Changes and Changing Tracks<span class="subtitle-colon">: </span><span class="subtitle">Looking Backward and Forward at a Journal’s Founding</span>
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33⅓ rpm
Jonathan Sterne
View Articletitled, 33⅓ rpm<sup></sup>
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The Album Cover
Mikkel Vad
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Aura(l)
Maria Kouvarou
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Beats Per Minute
Karen Tongson
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Country Canon
Steacy Easton
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Cover Art: A Reflection on Afrofuturistic Album Covers, Funk Music, and Black American Identity Formation
Antoine Haywood
View Articletitled, Cover Art<span class="subtitle-colon">: </span><span class="subtitle">A Reflection on Afrofuturistic Album Covers, Funk Music, and Black American Identity Formation</span>
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Groove
José Vicente Neglia
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Heirloom
Jonathan Leal
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Heritage
Julia Ehmann
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Locked Groove
Clinton Bryce Williamson
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Marketing: How Gamification Produced a Vinyl-Mania
Stephanie Hernandez
View Articletitled, Marketing<span class="subtitle-colon">: </span><span class="subtitle">How Gamification Produced a Vinyl-Mania</span>
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Mood Albums
Jennifer Messelink
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Multimodal
Ryan H. Nelson, John Macintosh
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Phonography Culture
Christine Bacareza Balance
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Race Records: Flaco Jiménez, Arhoolie Records, and Modern-Day “Race Records”
Erin E. Bauer
View Articletitled, Race Records<span class="subtitle-colon">: </span><span class="subtitle">Flaco Jiménez, Arhoolie Records, and Modern-Day “Race Records”</span>
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Revolution
Tymon Adamczewski
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Ritual
Eric Harvey
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Rocking Chair Pop: Revolutions and Counter-Revolutions
Eric Weisbard
View Articletitled, Rocking Chair Pop<span class="subtitle-colon">: </span><span class="subtitle">Revolutions and Counter-Revolutions</span>
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Vinyl Revival
Andrew Mall
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White Label
Vincent Jenewein
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World
Sophie A. Brady
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Articles

Immersed in Pop: 3D Music, Subject Positioning, and Compositional Design in The Weeknd’s “Blinding Lights” in Dolby Atmos
Zack Bresler
View Articletitled, Immersed in Pop<span class="subtitle-colon">: </span><span class="subtitle">3D Music, Subject Positioning, and Compositional Design in The Weeknd’s “Blinding Lights” in Dolby Atmos</span>
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Sounding the “Spirit of My Silence”: Sufjan Stevens’s Carries and Lowell and the Affect of Nothingness
Natalie Farrell
View Articletitled, Sounding the “Spirit of My Silence”<span class="subtitle-colon">: </span><span class="subtitle">Sufjan Stevens’s <em>Carries and Lowell</em> and the Affect of Nothingness</span>
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Soundcloud Rap and Alien Creativity: Transforming Rap and Popular Music through Mumble Rap
Matthew T. Phillips
View Articletitled, Soundcloud Rap and Alien Creativity<span class="subtitle-colon">: </span><span class="subtitle">Transforming Rap and Popular Music through <em>Mumble Rap</em></span>
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Getting Freaky with Missy: Missy Elliott, Queer Hip Hop, and the Musical Aesthetics of Impropriety
Elliott H. Powell
View Articletitled, Getting Freaky with Missy<span class="subtitle-colon">: </span><span class="subtitle">Missy Elliott, Queer Hip Hop, and the Musical Aesthetics of Impropriety</span>
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Why Florida?: Regional conditions and further development of the “Florida death metal” scene and the local public response (1984–1994)
Marco Swiniartzki
View Articletitled, Why Florida?<span class="subtitle-colon">: </span><span class="subtitle">Regional conditions and further development of the “Florida death metal” scene and the local public response (1984–1994)</span>
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Book Reviews

Review: The Folk Singers and the Bureau: The FBI, the Folk Artists and the Suppression of the Communist Party, USA-1939-1956, by Aaron J. Leonard, and Woody Guthrie: An Intimate Life, by Gustavus Stadler
Francisco E. Robles
View Articletitled, Review: <em>The Folk Singers and the Bureau: The FBI, the Folk Artists and the Suppression of the Communist Party, USA-1939-1956</em>, by Aaron J. Leonard, and <em>Woody Guthrie: An Intimate Life</em>, by Gustavus Stadler
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Review: The Meaning of Soul: Black Music and Resilience Since the 1960s, by Emily J. Lordi
Melissa A. Weber
View Articletitled, Review: <em>The Meaning of Soul: Black Music and Resilience Since the 1960s</em>, by Emily J. Lordi
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Review: The Sonic Episteme: Acoustic Resonance, Neoliberalism, and Biopolitics, by Robin James
Kate Galloway
View Articletitled, Review: <em>The Sonic Episteme: Acoustic Resonance, Neoliberalism, and Biopolitics</em>, by Robin James
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Review: Black Diamond Queens: African American Women and Rock and Roll, by Maureen Mahon
Kimberly Mack
View Articletitled, Review: <em>Black Diamond Queens: African American Women and Rock and Roll</em>, by Maureen Mahon
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Review: Hungry Listening: Resonant Theory for Indigenous Sound Studies, by Dylan Robinson
Kristina Jacobsen
View Articletitled, Review: <em>Hungry Listening: Resonant Theory for Indigenous Sound Studies</em>, by Dylan Robinson
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Review: Flaming?: The Peculiar Theopolitics of Fire and Desire in Black Male Gospel Performance, by Alisha Lola Jones
Emmett G. Price, III
View Articletitled, Review: <em>Flaming?: The Peculiar Theopolitics of Fire and Desire in Black Male Gospel Performance</em>, by Alisha Lola Jones
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Contributors’ Notes

Contributors’ Notes
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All Issues
Multiple Brasilidades: Musician-Market Negotiations within the Brazilian Midstream
Toward A Purple Aesthetic: Prince and the Creation of A Cultural Identity in Purple Rain
Grimes’s Music Video “Shinigami Eyes”: Neuroscience, Audiovisuality, and Color
Slowed + Reverb: A Pop Genealogy
Review: Live Music in America: A History from Jenny Lind to Beyoncé, by Steve Waksman
  • Online ISSN 1533-1598
  • Copyright © 2023
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