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Issues

Volume 33, Issue 1
March 2021
Journal of Popular Music Studies Cover Image for Volume 33, Issue 1
EISSN 1533-1598
Review: Adventures of a Jazz Age Lawyer: Nathan Burkan and the Making of American Popular Culture, by Gary A. Rosen
Dana DeVlieger
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Editors’ Note

Editors’ Note
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Field Notes

Joey + Rory: Some notes on the public and private nature of Protestant mourning
Steacy Easton
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Remote Intimacy: Popular Music Conversations in the Covid Era
Sara Marcus, Karen Tongson, Paula Harper, Kimberly Mack, Eric Weisbard ...
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Digital Lecture Sampler: Examples of a Form Thriving in Popular Music Studies during Covid
Eric Weisbard
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Order, Joy, Youth: Parade Aesthetics in Popular Music
S. Alexander Reed
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The Importance of Writing Reclaiming Venus: The Many Lives of Alvenia Bridges
Maya Angela Smith
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Stolen Youth: Orphan Songs and Abolition
Emily Margot Gale
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Articles

Disco Before Disco: Dancing and popular music in the 1960s and 1970s in England
Jon Stratton
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Reconstructed Nostalgia: Aesthetic Commonalities and Self-Soothing in Chillwave, Synthwave, and Vaporwave
Paul Ballam-Cross
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Nation Branding in Two Major Serbian Music Festivals, Exit and Guča
Jelena Gligorijević
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Is stage-gay queerbaiting? The politics of performative homoeroticism in emo bands
Judith Fathallah
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Perfect Pitch: 432 Hz Music and the Promise of Frequency
Ruth E. Rosenberg
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Book Reviews

Review Essay: “Free Radical: Music, Violence and Radicalism”
John Morgan O’Connell
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Review: Decomposed: The Political Ecology of Music, by Kyle Devine
Paul Rekret
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Review: Go Ahead in the Rain: Notes to A Tribe Called Quest, by Hanif Abdurraqib
Shana L. Redmond
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Review: Bossa Mundo: Brazilian Music in Transnational Media Industries, by K. E. Goldschmitt
Morgan James Luker
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Review: Build: The Power of Hip Hop Diplomacy in a Divided World, by Mark Katz
Nomi Dave
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Review: Revenge of the She-Punks: A Feminist Music History from Poly Styrene to Pussy Riot, by Vivien Goldman
Marlen Rios-Hernandez
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Contributors’ Notes

Contributors’ Notes
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All Issues
Gasolina: sound, power, and petro-masculinity in post-millennial Puerto Rico
Cosmic Grass: From synthpop environmentalist children’s revue to an experimental music video about the fossil fuel industry
To Brother Azagaia: A Letter of Remembrance from Mozambique and Beyond
Review: Computing Taste: Algorithms and the Makers of Music Recommendation, by Nick Seaver
Review: Boogie Down Predictions: Hip-Hop, Time, and Afrofuturism, edited by Roy Christopher
  • Online ISSN 1533-1598
  • Copyright © 2025
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