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Volume 32, Issue 3
September 2020
Issue Cover
EISSN 1533-1598

Editors’ Note

Editors’ Note
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Amplifier

Precarity, or, Halsey: How Manic Comes Apart Like a Millennial
Stephanie Burt
View Articletitled, Precarity, or, Halsey<span class="subtitle-colon">: </span><span class="subtitle">How <em>Manic</em> Comes Apart Like a Millennial</span>
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Post-Punk Polyrhythms: A Conversation with Rachel Aggs
J. Kēhaulani Kauanui (aka DJ Pineapple Krush)
View Articletitled, Post-Punk Polyrhythms<span class="subtitle-colon">: </span><span class="subtitle">A Conversation with Rachel Aggs</span>
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Field Notes

Conference Report: “The Future of Pop: Big Questions Facing Popular Music Studies in the 21st Century,” AMS Pre-Conference Symposium
Brian F. Wright, Amy Coddington, Andrew Mall
View Articletitled, Conference Report<span class="subtitle-colon">: </span><span class="subtitle">“The Future of Pop: Big Questions Facing Popular Music Studies in the 21st Century,” AMS Pre-Conference Symposium</span>
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Chicana/o Sounds: Field Notes from the Chicana/o and Sound Studies 2020 MLA Panel
José Navarro
View Articletitled, Chicana/o Sounds<span class="subtitle-colon">: </span><span class="subtitle">Field Notes from the Chicana/o and Sound Studies 2020 MLA Panel</span>
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Articles

Campus Rock: Rock Music Culture on the College Campus during the Counterculture Sixties, 1967-1968
James Carter
View Articletitled, Campus Rock<span class="subtitle-colon">: </span><span class="subtitle">Rock Music Culture on the College Campus during the Counterculture Sixties, 1967-1968</span>
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Hip Hop and the University: The Epistemologies of “Street Knowledge” and “Book Knowledge”
Sara Hakeem Grewal
View Articletitled, Hip Hop and the University<span class="subtitle-colon">: </span><span class="subtitle">The Epistemologies of “Street Knowledge” and “Book Knowledge”</span>
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Sonic Necessity and Compositional Invention in #BluesHop: Composing the Blues for Sample-Based Hip Hop
Michail Exarchos (aka Stereo Mike)
View Articletitled, Sonic Necessity and Compositional Invention in <em>#BluesHop</em><span class="subtitle-colon">: </span><span class="subtitle">Composing the Blues for Sample-Based Hip Hop</span>
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Jaco Pastorius, the Electric Bass, and the Struggle for Jazz Credibility
Brian F. Wright
View Articletitled, Jaco Pastorius, the Electric Bass, and the Struggle for Jazz Credibility
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Book Reviews

Review: Everybody’s Doin’ It: Sex, Music, and Dance in New York, 1840-1917, by Dale Cockrell, and Wayward Lives, Beautiful Experiments: Intimate Histories of Social Upheavals, by Saidiya Hartman
Kathy Peiss
View Articletitled, Review: <em>Everybody’s Doin’ It: Sex, Music, and Dance in New York, 1840-1917</em>, by Dale Cockrell, and <em>Wayward Lives, Beautiful Experiments: Intimate Histories of Social Upheavals</em>, by Saidiya Hartman
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Review: Move on Up: Chicago Soul Music and Black Cultural Power, by Aaron Cohen
Jeffrey Melnick
View Articletitled, Review: <em>Move on Up: Chicago Soul Music and Black Cultural Power</em>, by Aaron Cohen
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Review: Soda Goes Pop: Pepsi-Cola Advertising and Popular Music, by Joanna K. Love
Alyxandra Vesey
View Articletitled, Review: <em>Soda Goes Pop: Pepsi-Cola Advertising and Popular Music</em>, by Joanna K. Love
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Review: Spotify Teardown: Inside the Black Box of Streaming Music, by Maria Eriksson, Rasmus Fleischer, Anna Johansson, Pelle Snickars, and Patrick Vonderau
James Deaville
View Articletitled, Review: <em>Spotify Teardown: Inside the Black Box of Streaming Music</em>, by Maria Eriksson, Rasmus Fleischer, Anna Johansson, Pelle Snickars, and Patrick Vonderau
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Review: William S. Burroughs and the Cult of Rock’n’Roll, by Casey Rae
Barry J. Faulk
View Articletitled, Review: <em>William S. Burroughs and the Cult of Rock’n’Roll</em>, by Casey Rae
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Contributors’ Notes

Contributors’ Notes
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All Issues
Indie Rock’s Undead: Re-animating Keith Harris’s “Did New York Kill Indie Rock?”
A Response to Robin James’s “Indie Rock’s Undead: Re-Animating Keith Harris’s ‘Did New York Kill Indie Rock?’”
Contributors’ Notes
Review: No Machos Or Pop Stars: When the Leeds Art Experiment Went Punk, by Gavin Butt
Review: There is a Disco Ball Between Us: A Theory of Black Gay Life, by Jafari S. Allen
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