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Volume 32, Issue 2
June 2020
Issue Cover
EISSN 1533-1598
In this Issue

SPECIAL ISSUE: UNCHARTED COUNTRY

EDITORS' NOTE

Introduction: Uncharted Country: New Voices and Perspectives in Country Music Studies
View Articletitled, Introduction<span class="subtitle-colon">: </span><span class="subtitle">Uncharted Country: New Voices and Perspectives in Country Music Studies</span>
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AMPLIFIER

You're My Country Music
Karen Pittelman
View Articletitled, You're My Country Music
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Valerie June, Ghost Catcher
Francesca T. Royster
View Articletitled, Valerie June, Ghost Catcher
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Thunder in the Heart: Following the Ache of Americana and Decoding the Queer Paul Clayton
Clay Kerrigan
View Articletitled, Thunder in the Heart<span class="subtitle-colon">: </span><span class="subtitle">Following the Ache of Americana and Decoding the Queer Paul Clayton</span>
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Me, Hank Williams, and My Dad
Joe Kadi
View Articletitled, Me, Hank Williams, and My Dad
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ARTICLES

Ragtime Country: Rhythmically Recovering Country's Black Heritage
Wayne Marshall
View Articletitled, Ragtime Country<span class="subtitle-colon">: </span><span class="subtitle">Rhythmically Recovering Country's Black Heritage</span>
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“Penned Against the Wall”: Migration Narratives, Cultural Resonances, and Latinx Experiences in Appalachian Music
Sophia M. Enriquez
View Articletitled, “Penned Against the Wall”<span class="subtitle-colon">: </span><span class="subtitle">Migration Narratives, Cultural Resonances, and Latinx Experiences in Appalachian Music</span>
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Freddy Fender's Blackbrown Country Ecologies
Deborah R. Vargas
View Articletitled, Freddy Fender's Blackbrown Country Ecologies
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Sing Me Back Home: Country Music and Radical Community Organizing in Uptown Chicago
Jesse Montgomery
View Articletitled, Sing Me Back Home<span class="subtitle-colon">: </span><span class="subtitle">Country Music and Radical Community Organizing in Uptown Chicago</span>
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The Racial Limitations of Country-Soul Crossover in Bobby Womack's BW Goes C&W, 1976
Chelsea Burns
View Articletitled, The Racial Limitations of Country-Soul Crossover in Bobby Womack's <em>BW Goes C&amp;W</em>, 1976
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Redneck Chic: Race and the Country Music Industry in the 1970s
Amanda Marie Martinez
View Articletitled, Redneck Chic<span class="subtitle-colon">: </span><span class="subtitle">Race and the Country Music Industry in the 1970s</span>
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She's A Country Girl All Right: Rhiannon Giddens's Powerful Reclamation of Country Culture
Kimberly Mack
View Articletitled, She's A Country Girl All Right<span class="subtitle-colon">: </span><span class="subtitle">Rhiannon Giddens's Powerful Reclamation of Country Culture</span>
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Remapping Country Music in the Pacific: Country Music and Masculinities in Post-War Japan, 1945–56
Mari Nagatomi
View Articletitled, Remapping Country Music in the Pacific<span class="subtitle-colon">: </span><span class="subtitle">Country Music and Masculinities in Post-War Japan, 1945–56</span>
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“New Life” into Old Sounds: Listening to Simone Schmidt's Audible Songs from Rockwood
Ryan Shuvera
View Articletitled, “New Life” into Old Sounds<span class="subtitle-colon">: </span><span class="subtitle">Listening to Simone Schmidt's <em>Audible Songs from Rockwood</em></span>
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The Valley of the Dry Bones: The Presence and Perseverance of Jews, Judaism, and Jewishness in Country Music and Bluegrass
Shirli Brautbar, Peter La Chapelle, Jessica Hutchings
View Articletitled, The Valley of the Dry Bones<span class="subtitle-colon">: </span><span class="subtitle">The Presence and Perseverance of Jews, Judaism, and Jewishness in Country Music and Bluegrass</span>
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“Tennessee Whiskey” and the Politics of Harmony
Jocelyn R. Neal
View Articletitled, “Tennessee Whiskey” and the Politics of Harmony
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CONTRIBUTORS' NOTES

Contributors' Notes
View Articletitled, Contributors' Notes
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All Issues
Genre or Hypernym: Deconstructing Afrobeats in the Global Music Industry
From Trap to Memphis Rap: The Incorporation and Reconfiguration of American Southern Hip-hop Music in China
Contributors’ Notes
Review: Mandorla Letters: for the hopeful, by Nicole Mitchell Gantt
Review: Maybe We’ll Make It: A Memoir, by Margo Price
  • Online ISSN 1533-1598
  • Copyright © 2025
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