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Volume 31, Issue 4
Winter 2019
Issue Cover
EISSN 1533-1598
In this Issue
Editors' Note
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AMPLIFIER

Social Dance in the Age of (Anti-)Social Media: Fortnite, Online Video, and the Jook at a Virtual Crossroads
Wayne Marshall
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(Re)Defining Korean Hip Hop: A Conversation with MC Meta, Tiger JK, Deepflow, The Quiett, Nucksal, and Zico
Myoung-Sun Song
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FIELD NOTES

Divided by a Common Language: Musical Theater and Popular Music Studies
Jake Johnson; Masi Asare; Amy Coddington; Daniel Goldmark; Raymond Knapp ...
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The Politics of Tango: A Response to Michael Denning's Noise Uprising
Matthew B. Karush
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The Revolution of Tango: A Response to Matthew Karush's “The Politics of Tango”
Michael Denning
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ARTICLES

Él Es Chicano?: Authenticity and Authentication in Two Versions of Doug Sahm's “Chicano”
Richard Cruz Davila
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Viva La Razabilly: The Cultural Politics of Latinx Rockabilly
Kimberly Kattari
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Country Music for People Who Don't Like Country Music: Sturgill Simpson and Outlaw Privilege
Adam Hollowell; Alexandria Miller
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Teenage Agency and Popular Music Reception in World War II-Era Frank Sinatra Fan Clubs
Katie Beisel Hollenbach
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BOOK REVIEWS

Review Essay: “Seeking and Singing: Exploring Popular Music's Role in Christian Worship Practices”
Anna E. Nekola
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Review: Why Karen Carpenter Matters by Karen Tongson
D. Gilson
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Review: The Race of Sound: Listening, Timbre, and Vocality in African American Music by Nina Sun Eidsheim
Nicole Brittingham Furlonge
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Review: She Begat This: 20 Years of The Miseducation of Lauryn Hill by Joan Morgan
Elliott H. Powell
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Review: Novel Sounds: Southern Fiction in the Age of Rock and Roll by Florence Dore
Thomas Austin Graham
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Review: The Great Woman Singer: Gender and Voice in Puerto Rican Music by Licia Fiol-Matta
Lorena Alvarado
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Contributors' Notes
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All Issues
Way Out Music for Way Out Kids: Bruce Haack and Esther Nelson’s Experimental Electronic Music Collaborations
Must Be Love On The Brain?: Feminist responses to the “can we separate artwork from artist” question in the era of #MeToo popular feminisms
Room for a Breast or Two: St. Vincent and the Post-Structural Feminism of “Friendly Instrument” Design
“Gimme a Beat!”: Janet Jackson, Hyperaurality, and Affective Feminism
“Boundlessly Different”: Popular Brass Music in Austria
  • Online ISSN 1533-1598
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