Insurance, and specifically life insurance, seems like an odd topic for the blues. Associated with urbanism and capitalism, the theme contests an understanding of the blues as an “authentic” expression of a rural folk culture. Focusing on a cluster of blues songs that reference life insurance reveals the consciousness of a long history of racialized exploitation and discrimination, including the everyday experiences associated with it. The representation of insurance in the blues also provides a window into polysemic modes of signifying and subtle forms of resistance.1 Recognizing the potential for insurance to function as fertile lyrical subject matter for messages of resistance or struggle requires excavating its long, racialized history extending back to the antebellum world.
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June 2024
Research Article|
June 01 2024
Black Life Insurance and the Blues
Julia Simon
University of California, Davis
Julia Simon is professor of French and a faculty member of the Cultural Studies Graduate Group at the University of California, Davis. A cultural historian, she is the author of six books, three of which focus on the blues: Time in the Blues (Oxford, 2017), The Inconvenient Lonnie Johnson: Blues, Race, Identity (Penn State, 2022), and Debt and Redemption in the Blues: The Call for Justice (Penn State, 2023).
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Email: [email protected]
Journal of Popular Music Studies (2024) 36 (2): 99–113.
Citation
Julia Simon; Black Life Insurance and the Blues. Journal of Popular Music Studies 1 June 2024; 36 (2): 99–113. doi: https://doi.org/10.1525/jpms.2024.36.2.99
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